穆卡纳斯的语法:琼斯和古里绘制的阿尔罕布拉宫(1834-1845)

IF 0.3 0 ARCHITECTURE VLC Arquitectura-Research Journal Pub Date : 2019-10-31 DOI:10.4995/vlc.2019.10947
Antonio Gámiz Gordo, Ignacio Ferrer Pérez-Blanco
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引用次数: 4

摘要

Nasrid Alhambra的muqarna因其复杂的三维结构而脱颖而出,成为中世纪伊斯兰艺术中最奇特的建筑之一,其布局仍然鲜为人知。1834年和1837年,建筑师欧文·琼斯和朱尔斯·古里参观了格拉纳达的纪念碑,并完成了令人惊讶的图纸,后来在1842-1845年作为彩色印刷印刷出版,第一次以系统的方式展示了它的建筑、装饰品和muqarnas。为了评价他们的开创性图纸,简要回顾了历史数据,并引用了阿罕布拉宫以前的几张图纸。在考虑了有关格拉纳达数据收集过程中的几个问题之后,通过照片和计算机辅助绘图,对飞檐、柱顶、拱门和吊顶进行了比较分析。因此,这些建筑师所描述的muqarnas分组的原则或基本语法得到了强调,以及他们图像的准确性,这对于在当代西方文化中整合和传播阿尔罕布拉宫的建筑遗产至关重要。
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A Grammar of Muqarnas: Drawings of the Alhambra by Jones and Goury (1834-1845)
The muqarnas of the Nasrid Alhambra stand out as one of the most singular architectural episodes of Medieval Islamic art due to their sophisticated three-dimensional construction, whose layout remains little known. In 1834 and 1837, the architects Owen Jones and Jules Goury visited the monument in Granada and accomplished surprising drawings thereof, later published towards 1842-1845 as chromolithograph prints, which represented its architecture, ornaments, and muqarnas in a systematic way for the first time. In order to value their pioneering drawings, the historical data is briefly reviewed and several previous drawings of the Alhambra are cited. After consideration of a few questions regarding the process of data collection in Granada, a comparative analysis is presented of a cornice, a capital, an arch and a pendentive, with photos and computer-aided drawings. Thus, the principles or elementary grammar of muqarnas groupings described by these architects are highlighted, as well as the precision of their images, which resulted crucial to integrate and disseminate the architectural legacy of the Alhambra in the contemporary Western culture.
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来源期刊
CiteScore
0.30
自引率
0.00%
发文量
23
审稿时长
25 weeks
期刊最新文献
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