伯纳德·斯蒂格勒《国民阵线与极端自由主义》导言(摘自《国民阵线药理学》2013年版)

Q1 Social Sciences Cultural Politics Pub Date : 2022-07-01 DOI:10.1215/17432197-9716196
Danielle Ross
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引用次数: 0

摘要

摘要:法国哲学家斯蒂格勒(Bernard Stiegler)于2013年出版《Pharmacologie du Front national》。这首先是对2012年法国总统大选的回应,尽管弗朗索瓦·奥朗德(francois Hollande)当选,但那次大选证明了极右翼的国民阵线(National Front)的影响力不断上升,从而表明西方代议制民主国家的政治日益倒退。但斯蒂格勒在这方面的关注可以追溯到他的第一本书,并贯穿他的整个作品,他一直关注的是欲望和知识结合的积极技术(默认)起源,以及这种趋势的不可约性,这种趋势被他称之为技术的消极药理方面所破坏。在《国民阵线药理学》一书中,他将人们的注意力引向了制药商的第三个维度:当消极的一面占据上风时,它往往会导致制药商被指定为替罪羊。斯蒂格勒认为,当今消费主义经济技术模式的工业民粹主义特征不可避免地危险地导致政治民粹主义。因此,他呼吁对意识形态进行一种新的批判,这种批判要回到马克思和恩格斯的起点,克服马克思主义和阿尔都塞唯物主义最终仍以对立形而上学为基础的局限性,并为与当代意识形态的斗争提供新的实践和概念武器,当代意识形态的基本座右铭是“别无选择”。
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Introduction to Bernard Stiegler, “The National Front and Ultraliberalism” (Extract from Pharmacologie du Front national, 2013)
Abstract:The French philosopher Bernard Stiegler published Pharmacologie du Front national in 2013. It is above all a response to the 2012 French presidential election, which, despite the election of François Hollande, gave evidence of the rising influence of the far-right National Front, and thus of a growing regressive tendency in the politics of the Western representative democracies. But Stiegler’s concern in this regard can be traced back to his first book and is present throughout his work, which has always been concerned with the positive technical (default of) origin of the conjunction of desire and knowledge, and the irreducibility of the tendency for these to be undermined by what he will call the negative pharmacological side of technics. In Pharmacologie du Front national, he draws attention to a third dimension of the pharmakon: its tendency to lead to the designation of the pharmakos, or the scapegoat, as that negative side takes hold. For Stiegler, the industrial populism characteristic of today’s consumerist economico-technological model inevitably and dangerously leads to political populism. He thus calls for a new critique of ideology, one that returns to its starting point in Marx and Engels, overcomes the limitations of Marxist and Althusserian materialisms that ultimately remain grounded in an oppositional metaphysics, and provides new practical and conceptual weapons in the struggle against contemporary ideology, whose essential motto is that “there is no alternative.”
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来源期刊
Cultural Politics
Cultural Politics Social Sciences-Cultural Studies
CiteScore
1.20
自引率
0.00%
发文量
19
期刊介绍: Cultural Politics is an international, refereed journal that explores the global character and effects of contemporary culture and politics. Cultural Politics explores precisely what is cultural about politics and what is political about culture. Publishing across the arts, humanities, and social sciences, the journal welcomes articles from different political positions, cultural approaches, and geographical locations. Cultural Politics publishes work that analyzes how cultural identities, agencies and actors, political issues and conflicts, and global media are linked, characterized, examined, and resolved. In so doing, the journal supports the innovative study of established, embryonic, marginalized, or unexplored regions of cultural politics. Cultural Politics, while embodying the interdisciplinary coverage and discursive critical spirit of contemporary cultural studies, emphasizes how cultural theories and practices intersect with and elucidate analyses of political power. The journal invites articles on representation and visual culture; modernism and postmodernism; media, film, and communications; popular and elite art forms; the politics of production and consumption; language; ethics and religion; desire and psychoanalysis; art and aesthetics; the culture industry; technologies; academics and the academy; cities, architecture, and the spatial; global capitalism; Marxism; value and ideology; the military, weaponry, and war; power, authority, and institutions; global governance and democracy; political parties and social movements; human rights; community and cosmopolitanism; transnational activism and change; the global public sphere; the body; identity and performance; heterosexual, transsexual, lesbian, and gay sexualities; race, blackness, whiteness, and ethnicity; the social inequalities of the global and the local; patriarchy, feminism, and gender studies; postcolonialism; and political activism.
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