野外工作:为性能研究而进行的野外实验

IF 0.3 3区 艺术学 0 THEATER Studies in Theatre and Performance Pub Date : 2021-03-07 DOI:10.1080/14682761.2021.1895543
D. Overend
{"title":"野外工作:为性能研究而进行的野外实验","authors":"D. Overend","doi":"10.1080/14682761.2021.1895543","DOIUrl":null,"url":null,"abstract":"ABSTRACT This article reflects on a series of wild experiments in literal field sites. It develops a practice-based methodology that aims to identify, perform and assert wild presences and unruly processes, playfully engaging with vibrant and dynamic ecologies. To explore these concerns ‘in the field’, a series of research trips were undertaken in the United Kingdom between 2017 and 2020, including repeated visits to Knepp Wildland Project in West Sussex and Bamff Estate in Perthshire. These locations were chosen due to their engagement with rewilding as an experimental mode of ecosystem management. Rewilding is explored here as a process-driven approach to conservation that offers a potential model for transdisciplinary artistic research. Adopting and adapting its methods through a combination of place writing, collaborative performance making and site-specific art, a creative practice is developed that prompts collaborative ways of working in response to the ecologies, conceptualisations and performances of these field sites. Aiming to bring something back from the field into the academy, the article argues for a (re)wilding of disciplinary knowledge exchange. It concludes with a call for wild epistemology, proposing that research in specific field sites can be informed by an artistic practice that is entangled, unsettling and continually practiced.","PeriodicalId":42067,"journal":{"name":"Studies in Theatre and Performance","volume":null,"pages":null},"PeriodicalIF":0.3000,"publicationDate":"2021-03-07","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Field works: wild experiments for performance research\",\"authors\":\"D. Overend\",\"doi\":\"10.1080/14682761.2021.1895543\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"ABSTRACT This article reflects on a series of wild experiments in literal field sites. It develops a practice-based methodology that aims to identify, perform and assert wild presences and unruly processes, playfully engaging with vibrant and dynamic ecologies. To explore these concerns ‘in the field’, a series of research trips were undertaken in the United Kingdom between 2017 and 2020, including repeated visits to Knepp Wildland Project in West Sussex and Bamff Estate in Perthshire. These locations were chosen due to their engagement with rewilding as an experimental mode of ecosystem management. Rewilding is explored here as a process-driven approach to conservation that offers a potential model for transdisciplinary artistic research. Adopting and adapting its methods through a combination of place writing, collaborative performance making and site-specific art, a creative practice is developed that prompts collaborative ways of working in response to the ecologies, conceptualisations and performances of these field sites. Aiming to bring something back from the field into the academy, the article argues for a (re)wilding of disciplinary knowledge exchange. It concludes with a call for wild epistemology, proposing that research in specific field sites can be informed by an artistic practice that is entangled, unsettling and continually practiced.\",\"PeriodicalId\":42067,\"journal\":{\"name\":\"Studies in Theatre and Performance\",\"volume\":null,\"pages\":null},\"PeriodicalIF\":0.3000,\"publicationDate\":\"2021-03-07\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Studies in Theatre and Performance\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1080/14682761.2021.1895543\",\"RegionNum\":3,\"RegionCategory\":\"艺术学\",\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"THEATER\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Studies in Theatre and Performance","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1080/14682761.2021.1895543","RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"THEATER","Score":null,"Total":0}
引用次数: 0

摘要

本文是对一系列野外文学实验的反思。它开发了一种基于实践的方法,旨在识别,执行和维护野生存在和不受约束的过程,与充满活力和动态的生态嬉戏。为了在“实地”探索这些问题,我们在2017年至2020年期间在英国进行了一系列研究之旅,包括反复访问西苏塞克斯郡的Knepp Wildland项目和珀斯郡的班夫庄园。之所以选择这些地点,是因为它们作为生态系统管理的实验模式参与了野生化。在这里,将野生化作为一种过程驱动的保护方法进行探索,为跨学科艺术研究提供了一个潜在的模型。采用并调整其方法,结合地方写作,协作表演制作和特定地点的艺术,开发了一种创造性的实践,促进协作的工作方式,以响应这些现场的生态,概念化和表演。为了将一些东西从野外带回学术界,文章主张(重新)开展学科知识交流。它以呼吁野生认识论作为结论,提出在特定领域的研究可以通过一种纠缠的、令人不安的、不断实践的艺术实践来获得信息。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
查看原文
分享 分享
微信好友 朋友圈 QQ好友 复制链接
本刊更多论文
Field works: wild experiments for performance research
ABSTRACT This article reflects on a series of wild experiments in literal field sites. It develops a practice-based methodology that aims to identify, perform and assert wild presences and unruly processes, playfully engaging with vibrant and dynamic ecologies. To explore these concerns ‘in the field’, a series of research trips were undertaken in the United Kingdom between 2017 and 2020, including repeated visits to Knepp Wildland Project in West Sussex and Bamff Estate in Perthshire. These locations were chosen due to their engagement with rewilding as an experimental mode of ecosystem management. Rewilding is explored here as a process-driven approach to conservation that offers a potential model for transdisciplinary artistic research. Adopting and adapting its methods through a combination of place writing, collaborative performance making and site-specific art, a creative practice is developed that prompts collaborative ways of working in response to the ecologies, conceptualisations and performances of these field sites. Aiming to bring something back from the field into the academy, the article argues for a (re)wilding of disciplinary knowledge exchange. It concludes with a call for wild epistemology, proposing that research in specific field sites can be informed by an artistic practice that is entangled, unsettling and continually practiced.
求助全文
通过发布文献求助,成功后即可免费获取论文全文。 去求助
来源期刊
CiteScore
0.60
自引率
33.30%
发文量
11
期刊最新文献
Meaningful agency in participatory performance: a contextual approach Irish rebellion in-yer-face or consigned to history: Seán O’Casey’s The Plough and the Stars in 2016 Physical solidarity as feeling the feeling Daughters Opera: an epistemic representation of feminist solidarities Hyper-femininity as radical resistance: re-envisaging the starlet through a feminist practice of solidarity in It’s Sophie! (2018)
×
引用
GB/T 7714-2015
复制
MLA
复制
APA
复制
导出至
BibTeX EndNote RefMan NoteFirst NoteExpress
×
×
提示
您的信息不完整,为了账户安全,请先补充。
现在去补充
×
提示
您因"违规操作"
具体请查看互助需知
我知道了
×
提示
现在去查看 取消
×
提示
确定
0
微信
客服QQ
Book学术公众号 扫码关注我们
反馈
×
意见反馈
请填写您的意见或建议
请填写您的手机或邮箱
已复制链接
已复制链接
快去分享给好友吧!
我知道了
×
扫码分享
扫码分享
Book学术官方微信
Book学术文献互助
Book学术文献互助群
群 号:481959085
Book学术
文献互助 智能选刊 最新文献 互助须知 联系我们:info@booksci.cn
Book学术提供免费学术资源搜索服务,方便国内外学者检索中英文文献。致力于提供最便捷和优质的服务体验。
Copyright © 2023 Book学术 All rights reserved.
ghs 京公网安备 11010802042870号 京ICP备2023020795号-1