One River, Two Ukraines? Yurii Andrukhovych’s Imagined Geography of East-Central Europe

Abstract This article discusses the role that the Dnipro River (formerly Dnieper River) plays in the discursive construction of Yurii Andrukhovych’s idea of East-Central Europe. In his essays ‘Like Fishes in Water’ (Yak ryby u vodi. 29 richkovykh pisen’, 2004) and ‘Atlas. Meditations’ (Atlas. Medytatsiyi, 2005), the author chooses to emphasize the Dnipro’s function as a border between two distinct regions of Ukraine. In his portrayal, the right bank (the western part of Ukraine) seems culturally traditional, whereas the left bank (the eastern part of Ukraine) appears to be uncultivated, proletarian, nomadic and generally an area of wilderness. The author concludes: ‘At least in the context involving this specific map the two Ukraines are divided’. Is this a hidden ideologization or a new mythologization of the Dnipro? Certainly, the conceptualization of the river transcends its mere physical dimensions and provides the landscape with a symbolic function. Andrukhovych’s essay volumes Disorientation on Location (Dezoriyentatsiya na mistsevosti, 1999), The Devil’s Hiding in the Cheese (Dyyavol khovayet’sya v syri, 2006) and The Lexicon of Intimate Cities (Leksykon intymnykh mist, 2016) provide additional insights into this imagined geography. The research presented in this article discusses Andrukhovych’s ideas with reference to the concept of ‘Two Ukraines’ by Mykola Riabchuk and ‘The Clash of Civilizations’ by Samuel Huntington. Central European discourse, post-colonial studies and geopoetical theory complement the discussion and enable its integration into a larger context.