O imaginário suburbano e o Mass Media: um reflexo de sua construção e desmontagem na geração do chamado Baby Boom nos Estados Unidos (1946-1974).

According to Cambridge Dictionary, the meaning of Suburbia is related to peripheral parts of a city where there are houses, but there is not a considerable amount of retailers, work places and leisure venues. Obviously this definition is understood from an elemental point of view, it is, since the ends of the 18th century according to the urban conditions of English and newly North American towns. Even so, throughout the last six decades, more specifically 1946 and 1974, there was an interesting, as well as a vast record of information regarding this peculiar sort of urban planning, so representative of a young and naïve post-war consumption society, that shaped a lifestyle that was envied as imitated abroad (with several local interpretations in all over the globe). However, these imaginaries, largely, have been built from the positivist perspectives of a society in the curb of its industrialization, but also as a result of the critical thinking, have mutated towards the disassembly and the demystifying of what once was considered the ideal way of making a new city from this outskirt urban-planning format. The role that cinema, literature and visual arts have played in the idealization, the projection, the construction and disassembly of Suburbia as an urban model of social aspiration, have been so influential in a large number of American families, who pretend to resemble the models shown in television media, and in certain way in literature, which has been a line of argument that gave rise to the advertising and programs in film and television industry. In this article there will be an approach about the role that both literature, cinema and art have played in the idealization, projection, construction and disassembly of the suburb as an imaginary of apparent social welfare for a large part of American society.