《全球化背景下的音乐创作:20世纪和21世纪音乐史的新视角》，克里斯蒂安·乌茨著，劳伦斯·辛克莱·威利斯译。Bielefeld, Transcript Verlag, 2021, 527页

{"title":"《全球化背景下的音乐创作:20世纪和21世纪音乐史的新视角》，克里斯蒂安·乌茨著，劳伦斯·辛克莱·威利斯译。Bielefeld, Transcript Verlag, 2021, 527页","authors":"R. Hasegawa","doi":"10.7202/1088790ar","DOIUrl":null,"url":null,"abstract":"","PeriodicalId":0,"journal":{"name":"","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2022-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"1","resultStr":"{\"title\":\"Musical Composition in the Context of Globalization: New Perspectives on Music History of the 20th and 21st Century, by Christian Utz, Translated by Laurence Sinclair Willis. Bielefeld, Transcript Verlag, 2021, 527 pages\",\"authors\":\"R. Hasegawa\",\"doi\":\"10.7202/1088790ar\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"\",\"PeriodicalId\":0,\"journal\":{\"name\":\"\",\"volume\":null,\"pages\":null},\"PeriodicalIF\":0.0,\"publicationDate\":\"2022-01-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"1\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.7202/1088790ar\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.7202/1088790ar","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}