编舞:探索和记录编舞过程

Marianela Ciolfi Felice, S. Alaoui, W. Mackay
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引用次数: 37

摘要

当代编舞家在探索舞者的想法时经常与他们直接互动,但缺乏足够的工具来捕捉和记录他们的工作。虽然我们对编舞家和舞者的第一项研究揭示了记录编舞片段的不同策略,但我们发现他们都是在约束条件下工作的,他们通过空间图来表现这些约束,作为运动品质或他们自己的个人符号系统。这导致了Knotation的设计,这是一个基于笔的移动工具,可以让编舞者描绘出他们自己的编舞思想,并使它们具有互动性。在研究二中,Knotation作为一种技术探针来支持三位专业编舞家的对比实践。我们根据他们的输入修改了Knotation,并与六位专业编舞家进行了第三次结构化观察研究。Knotation很容易支持跳舞-录制和录制-跳舞策略。参与者使用和利用Knotation的高级功能,包括交互式时间轴和平面图的组合,来表示和探索复杂的舞蹈结构。
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Knotation: Exploring and Documenting Choreographic Processes
Contemporary choreographers often interact directly with dancers when exploring their ideas, but lack adequate tools for capturing and documenting their work. Although our first study of choreographers and dancers revealed diverse strategies for recording choreographic fragments, we found that they all worked in terms of constraints, which they represented via spatial diagrams, as movement qualities or with their own personal notation system. This led to the design of Knotation, a mobile pen-based tool that lets choreographers sketch their own representations of choreographic ideas and render them interactive. In study two, Knotation served as a technology probe to support the contrasting practices of three professional choreographers. We revised Knotation based on their input, and ran a third structured observation study with six professional choreographers. Knotation easily supported both dance-then-record and record-then-dance strategies. Participants used and appropriated Knotation's advanced features, including the combination of interactive timelines and floorplan diagrams, to represent and explore complex choreographic structures.
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