在伊朗用聚合物凝胶清洗和修复一幅油画

IF 0.1 0 HUMANITIES, MULTIDISCIPLINARY Conservation Science in Cultural Heritage Pub Date : 2018-03-28 DOI:10.6092/ISSN.1973-9494/7952
S. Alizadeh
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引用次数: 4

摘要

在保护和修复一幅画的主要阶段之一是清理它的彩色表面不需要的污渍,旧的和变暗的清漆。迄今为止,已为此目的使用了各种溶剂;然而,在过去的十年里,新的清洁材料也进入了市场,这些材料仍然未知,可能从未在伊朗使用过。本研究旨在介绍一种聚合物凝胶,并使用该物质的体外样本进行清洁,然后介绍所进行测试的结果。用聚合物凝胶来清洗画作比以前用溶剂来清洗艺术品效果更好,也更有优势。其优点包括,在表面上执行而不穿透下层,应用后没有残留物,灵活性,溶解度和温和地去除旧污渍和清漆,通过简单地去除薄干燥层来保持清晰度和清洁表面,这不需要机械压力。显微检查和pH值测试表明,这种新的替代技术可以用于清洗油画的颜色层。
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Cleaning and Restoration of an Oil Painting with a Polymer Gel in Iran
One of the major stages in the conservation and restoration of a painting is to clean its colored surface of unwanted stains, and old and darkened varnishes. Various solvents have been used to date for this purpose; however, new cleaning materials have also come onto the market in the past decade that are still unknown and may never have been employed in Iran. The present study aims to introduce a polymer gel and use an in vitro sample of the substance for cleaning and to then present the results of the tests carried out. Applying a polymer gel in the cleaning of paintings yielded better results and greater advantages over the solvents previously used to clean artworks. The advantages include, performing on the surface without penetrating the lower layers, the absence of residues after application, flexibility, solubility and the gentle removal of old stains and varnishes, maintaining clarity and cleaning the surface by simple removal of the thin dried layer, which requires no mechanical pressure. Microscopic examinations and pH testing showed that this new alternative technique can be of use in cleaning the color layers of oil paintings.
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来源期刊
Conservation Science in Cultural Heritage
Conservation Science in Cultural Heritage HUMANITIES, MULTIDISCIPLINARY-
CiteScore
0.40
自引率
0.00%
发文量
0
审稿时长
15 weeks
期刊介绍: Conservation Science in Cultural Heritage is an international peer reviewed journal which continues Quaderni di Scienza della Conservazione. Main topics of publication: • Study of the system: artifact-environment-biota • Historical-artistic knowledge of cultural heritage (i.e. author, art movement, period of realization, techniques, society and cultural characteristics, socio-economic context, commissioning, financing, interested public) • History, diagnosis, restoration, maintenance, conservation, valorization, prevention • Document research • Book, codex, and manuscript production in its historical context • Appropriate methodologies and analytical techniques used for the characterization of historical artifacts and evaluation of the conservation state • Environmental monitoring: assessment of atmospheric pollution and correlated degradation of monuments and historical-artistic sites • Micro and macroclimatic monitoring in confined areas (i.e. museums, libraries, archives, churches, galleries…) • Art diagnostics and evaluation of the authentication of art works • Art market and auction houses • Experiences in cultural heritage conservation • Evaluation of the suitability of products for restoration, conservation, and maintenance of works of art • Information science and cultural heritage: data processing and cataloguing methods • Virtual re-elaboration and use of historical artifacts and environments • Study, valorization and digitalization of archive and library heritage • Environmental context and technical-conservative issues related to historic architecture • Virtual or traditional conservation, cataloguing and processing of photographs • Various other topics including education, safeguard, education, legislation, economics, social aspects, management, marketing, interdisciplinarity, internationalization, etc.
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