{"title":"约瑟夫·斯沃博达和世界戏剧季","authors":"Helen Gush","doi":"10.1080/23322551.2020.1847391","DOIUrl":null,"url":null,"abstract":"ABSTRACT This article considers the work of Josef Svoboda in relation to the World Theatre Season (WTS), an annual season of international theatre companies presented at the Aldwych Theatre in London between 1964 and 1975. The WTS provided an initial platform for Svoboda's work in London, when WTS Director Peter Daubeny invited the Czech National Theatre to open the 1966 season with their production of The Insect Play (Ze života hmyzu), by Karel and Josef Čapek. The article provides a detailed historical analysis of The Insect Play, beginning with a production analysis and then tracing the production's material impact on scenography in the UK. First, the article argues that Svoboda's use of form and materials, as well as the spirit with which he approached his work, influenced the work of leading designer, Ralph Koltai. Second, the article demonstrates how The Insect Play functioned as a springboard for Svoboda's subsequent work on UK stages. Third, the article demonstrates how Svoboda's work gave weight to design, helping to foster the UK's design community. Ultimately, the article demonstrates that The Insect Play played a pivotal role in shaping Svoboda's career trajectory on UK stages and had a significant influence on British performance design.","PeriodicalId":37207,"journal":{"name":"Theatre and Performance Design","volume":"1 1","pages":"263 - 276"},"PeriodicalIF":0.0000,"publicationDate":"2020-07-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Josef Svoboda and the World Theatre Season\",\"authors\":\"Helen Gush\",\"doi\":\"10.1080/23322551.2020.1847391\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"ABSTRACT This article considers the work of Josef Svoboda in relation to the World Theatre Season (WTS), an annual season of international theatre companies presented at the Aldwych Theatre in London between 1964 and 1975. The WTS provided an initial platform for Svoboda's work in London, when WTS Director Peter Daubeny invited the Czech National Theatre to open the 1966 season with their production of The Insect Play (Ze života hmyzu), by Karel and Josef Čapek. The article provides a detailed historical analysis of The Insect Play, beginning with a production analysis and then tracing the production's material impact on scenography in the UK. First, the article argues that Svoboda's use of form and materials, as well as the spirit with which he approached his work, influenced the work of leading designer, Ralph Koltai. Second, the article demonstrates how The Insect Play functioned as a springboard for Svoboda's subsequent work on UK stages. Third, the article demonstrates how Svoboda's work gave weight to design, helping to foster the UK's design community. Ultimately, the article demonstrates that The Insect Play played a pivotal role in shaping Svoboda's career trajectory on UK stages and had a significant influence on British performance design.\",\"PeriodicalId\":37207,\"journal\":{\"name\":\"Theatre and Performance Design\",\"volume\":\"1 1\",\"pages\":\"263 - 276\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2020-07-02\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Theatre and Performance Design\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1080/23322551.2020.1847391\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"Q2\",\"JCRName\":\"Arts and Humanities\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Theatre and Performance Design","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1080/23322551.2020.1847391","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"Q2","JCRName":"Arts and Humanities","Score":null,"Total":0}
引用次数: 0
摘要
本文考虑了约瑟夫·斯沃博达与世界戏剧季(WTS)的关系,世界戏剧季是1964年至1975年间在伦敦奥尔德维奇剧院举办的国际戏剧公司的年度季。WTS在伦敦为斯沃博达的作品提供了一个最初的平台,当时WTS主任彼得·道贝尼邀请捷克国家剧院以卡雷尔和约瑟夫Čapek的《昆虫剧》(Ze života hmyzu)作为1966年演出季的开幕作品。本文对《昆虫游戏》进行了详细的历史分析,从制作分析开始,然后追踪制作对英国舞台布景的重大影响。首先,文章认为Svoboda对形式和材料的使用,以及他处理工作的精神,影响了首席设计师Ralph Koltai的工作。其次,这篇文章展示了《昆虫游戏》如何成为Svoboda在英国舞台上的后续作品的跳板。第三,文章展示了Svoboda的作品如何赋予设计以分量,帮助培养英国的设计界。最后,文章论证了the Insect Play在塑造Svoboda在英国舞台上的职业生涯轨迹中发挥了关键作用,并对英国的表演设计产生了重大影响。
ABSTRACT This article considers the work of Josef Svoboda in relation to the World Theatre Season (WTS), an annual season of international theatre companies presented at the Aldwych Theatre in London between 1964 and 1975. The WTS provided an initial platform for Svoboda's work in London, when WTS Director Peter Daubeny invited the Czech National Theatre to open the 1966 season with their production of The Insect Play (Ze života hmyzu), by Karel and Josef Čapek. The article provides a detailed historical analysis of The Insect Play, beginning with a production analysis and then tracing the production's material impact on scenography in the UK. First, the article argues that Svoboda's use of form and materials, as well as the spirit with which he approached his work, influenced the work of leading designer, Ralph Koltai. Second, the article demonstrates how The Insect Play functioned as a springboard for Svoboda's subsequent work on UK stages. Third, the article demonstrates how Svoboda's work gave weight to design, helping to foster the UK's design community. Ultimately, the article demonstrates that The Insect Play played a pivotal role in shaping Svoboda's career trajectory on UK stages and had a significant influence on British performance design.