IF 0.1 3区 文学 0 LITERATURE TWENTIETH CENTURY LITERATURE Pub Date : 2019-03-01 DOI:10.1215/0041462X-7378806
Ioana Luca
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引用次数: 0

摘要

摘要:本文考察了作家米罗斯拉夫·潘科夫、劳拉·瓦普尼亚和亚历山大·赫蒙如何参与并重新配置美国文学中对前东欧集团的表述,包括在西欧流传已久的刻板印象。这些文本改变了流行的冷战话语,突出了后社会主义欧洲和美国空间之间的真实或象征性的连接,从而构成了新的公众,并发展了新的解释框架。三位作者将社会主义的过去及其直接后果与美国联系起来:彭科夫论述了保加利亚和美国之间的联系,瓦姆尼亚发展了关于苏联过去的非领土化记忆,赫蒙阐明了美国和前南斯拉夫之间的关系形式(反向)镜像。他们的文本不是透明的窗口,不是文化中介的形式,也不是后共产主义异国情调的实例;它们也不只是对美国国家幻想的严厉批评。相反,这些文本作为凸面镜的功能,以各种方式使它们成为重新思考前社会主义欧洲和美国之间真实和想象交集的对象和方法。
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Postsocialist Fiction and Frameworks: Miroslav Penkov, Lara Vapnyar, and Aleksandar Hemon
Abstract:The article examines how writers Miroslav Penkov, Lara Vapnyar, and Aleksandar Hemon engage and reconfigure representations of the former Eastern Bloc in US literature, including stereotypes that have been circulating in Western Europe for a long time. These texts transform prevailing Cold War discourses and highlight real or symbolic junctions between postsocialist European and US spaces, thus constituting new publics and developing new frames of interpretation. The three authors relate the socialist past and its immediate aftermath to the United States: Penkov addresses connections between Bulgaria and the United States, Vapnyar develops deterritorialized memories about the Soviet past, and Hemon articulates relational forms of (reverse) mirroring between the United States and the former Yugoslavia. Their texts do not serve as transparent windows, forms of cultural brokerage, or instances of the postcommunist exotic; nor do they present only harsh critiques of US national imaginaries. Instead, the texts function as convex mirrors for multiple encounters and exchanges in ways that render them both object and method for rethinking real and imaginary intersections between the former socialist Europe and the United States.
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CiteScore
0.20
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发文量
17
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