{"title":"婴儿狂欢:当代英国EDM文化中的青年、成年和老龄化","authors":"Zoe Armour","doi":"10.12801/1947-5403.2019.11.01.04","DOIUrl":null,"url":null,"abstract":"This article begins with a reconsideration of the parameters of age in translocal EDM sound system and (super)club culture through the conceptualisation of a fluid multigenerationality in which attendees at EDM-events encompass a spectrum of ages from 0–75 years. Since the 1980s, it remains the case that the culture is fuelled through a constant influx of newcomers who are predominantly emerging youth, yet there are post-youth members in middle adulthood and later life that are also a growing body that continues to attend EDM-events. In this context, the baby rave initiative (2004–present) has capitalised on a gap in the family entertainment market and created a new chapter in (super)club and festival culture. I argue that the event is a catalyst for live heritage in which the accompanying children (aged from 0–12 years) temporarily become the beneficiaries of their parent’s attendee heritage and performance of an unauthored heritage.","PeriodicalId":36263,"journal":{"name":"Dancecult","volume":"1 1","pages":""},"PeriodicalIF":0.0000,"publicationDate":"2019-11-11","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Baby Raves: Youth, Adulthood and Ageing in Contemporary British EDM Culture\",\"authors\":\"Zoe Armour\",\"doi\":\"10.12801/1947-5403.2019.11.01.04\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"This article begins with a reconsideration of the parameters of age in translocal EDM sound system and (super)club culture through the conceptualisation of a fluid multigenerationality in which attendees at EDM-events encompass a spectrum of ages from 0–75 years. Since the 1980s, it remains the case that the culture is fuelled through a constant influx of newcomers who are predominantly emerging youth, yet there are post-youth members in middle adulthood and later life that are also a growing body that continues to attend EDM-events. In this context, the baby rave initiative (2004–present) has capitalised on a gap in the family entertainment market and created a new chapter in (super)club and festival culture. I argue that the event is a catalyst for live heritage in which the accompanying children (aged from 0–12 years) temporarily become the beneficiaries of their parent’s attendee heritage and performance of an unauthored heritage.\",\"PeriodicalId\":36263,\"journal\":{\"name\":\"Dancecult\",\"volume\":\"1 1\",\"pages\":\"\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2019-11-11\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Dancecult\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.12801/1947-5403.2019.11.01.04\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"Q2\",\"JCRName\":\"Arts and Humanities\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Dancecult","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.12801/1947-5403.2019.11.01.04","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"Q2","JCRName":"Arts and Humanities","Score":null,"Total":0}
Baby Raves: Youth, Adulthood and Ageing in Contemporary British EDM Culture
This article begins with a reconsideration of the parameters of age in translocal EDM sound system and (super)club culture through the conceptualisation of a fluid multigenerationality in which attendees at EDM-events encompass a spectrum of ages from 0–75 years. Since the 1980s, it remains the case that the culture is fuelled through a constant influx of newcomers who are predominantly emerging youth, yet there are post-youth members in middle adulthood and later life that are also a growing body that continues to attend EDM-events. In this context, the baby rave initiative (2004–present) has capitalised on a gap in the family entertainment market and created a new chapter in (super)club and festival culture. I argue that the event is a catalyst for live heritage in which the accompanying children (aged from 0–12 years) temporarily become the beneficiaries of their parent’s attendee heritage and performance of an unauthored heritage.