{"title":"童年与暴力:墨西哥成人漫画中的robachicos (1945-1950)","authors":"Susana Sosenski","doi":"10.25185/4.4","DOIUrl":null,"url":null,"abstract":"This article explores the cultural consumption of adult comics by Mexican children, focusing on comics that considered the figure of child kidnappers (robachicos) in the context of the mid-twentieth century. In a time, when mass culture offered a wide range of cultural productions, children were active consumers of high dose violence stories, that had children as protagonists. The comics studied here show the tension between the world of adults and children. In particular, the comics exposed an adult world related to children through physical and symbolic violence where children were abused, not heard and silenced by the injustices and the dangers of urban life. Finally, I analysehow emotions related to fear were commercially exploited in these comics and how the autonomous use of the city by children became, during the forties and the fifties, a risky activity for them.","PeriodicalId":52962,"journal":{"name":"Humanidades","volume":"77 1","pages":""},"PeriodicalIF":0.0000,"publicationDate":"2018-12-06","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"1","resultStr":"{\"title\":\"Infancia y violencia: los robachicos en las historietas para adultos en México (1945-1950)\",\"authors\":\"Susana Sosenski\",\"doi\":\"10.25185/4.4\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"This article explores the cultural consumption of adult comics by Mexican children, focusing on comics that considered the figure of child kidnappers (robachicos) in the context of the mid-twentieth century. In a time, when mass culture offered a wide range of cultural productions, children were active consumers of high dose violence stories, that had children as protagonists. The comics studied here show the tension between the world of adults and children. In particular, the comics exposed an adult world related to children through physical and symbolic violence where children were abused, not heard and silenced by the injustices and the dangers of urban life. Finally, I analysehow emotions related to fear were commercially exploited in these comics and how the autonomous use of the city by children became, during the forties and the fifties, a risky activity for them.\",\"PeriodicalId\":52962,\"journal\":{\"name\":\"Humanidades\",\"volume\":\"77 1\",\"pages\":\"\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2018-12-06\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"1\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Humanidades\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.25185/4.4\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"Q4\",\"JCRName\":\"Arts and Humanities\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Humanidades","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.25185/4.4","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"Q4","JCRName":"Arts and Humanities","Score":null,"Total":0}
Infancia y violencia: los robachicos en las historietas para adultos en México (1945-1950)
This article explores the cultural consumption of adult comics by Mexican children, focusing on comics that considered the figure of child kidnappers (robachicos) in the context of the mid-twentieth century. In a time, when mass culture offered a wide range of cultural productions, children were active consumers of high dose violence stories, that had children as protagonists. The comics studied here show the tension between the world of adults and children. In particular, the comics exposed an adult world related to children through physical and symbolic violence where children were abused, not heard and silenced by the injustices and the dangers of urban life. Finally, I analysehow emotions related to fear were commercially exploited in these comics and how the autonomous use of the city by children became, during the forties and the fifties, a risky activity for them.