{"title":"化身指挥:重新演绎奥尔多和汉尼·凡·艾克的家庭生活","authors":"Alejandro Campos-Uribe, Paula Lacomba-Montes","doi":"10.1080/13602365.2023.2167851","DOIUrl":null,"url":null,"abstract":"Grounded in an experiential understanding of architecture, this research explores ways in which architectural history can help bring works or ideas more vividly to the present. We propose here an embodied visit to Aldo and Hannie van Eyck’s house in Loenen aan de Vecht. In the house, layers of temporality, materiality, everyday living, and lived experience mingle with design solutions and worldviews affecting them. By immersing into the materiality of the Van Eycks’ home, the paper offers a lively, intensive, and qualitative understanding of the design and its connections with the architect’s contributions to post-war architectural discourses. The experiential account uses a mix of archival, ethnographic, and performative techniques, a proposed method that adds a necessary degree of complexity to architectural history. The method enacts a new form of knowledge where our bodies inform the findings, from materiality to meaning, and connects to new architectural history approaches, namely Architectural Anthropology and Performative Design Research. With all these elements, we are proposing a rich, empirical account of the project by means of three re-enactments of the Van Eycks’ homelife: a visit to the attic, table talk under the skylight, and a lively lunch in the garden. The account offers deep insights into how architectural ideas take material form, showing that specific ways of understanding history, time, or space, are indeed embodied within our built environment and that they can only be disentangled, with the help of our bodies, by performing actions within, in and around buildings.","PeriodicalId":44236,"journal":{"name":"METU Journal of the Faculty of Architecture","volume":"78 1","pages":"482 - 509"},"PeriodicalIF":0.3000,"publicationDate":"2023-02-24","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Embodiment takes command: re-enacting Aldo and Hannie van Eyck’s homelife\",\"authors\":\"Alejandro Campos-Uribe, Paula Lacomba-Montes\",\"doi\":\"10.1080/13602365.2023.2167851\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"Grounded in an experiential understanding of architecture, this research explores ways in which architectural history can help bring works or ideas more vividly to the present. We propose here an embodied visit to Aldo and Hannie van Eyck’s house in Loenen aan de Vecht. In the house, layers of temporality, materiality, everyday living, and lived experience mingle with design solutions and worldviews affecting them. By immersing into the materiality of the Van Eycks’ home, the paper offers a lively, intensive, and qualitative understanding of the design and its connections with the architect’s contributions to post-war architectural discourses. The experiential account uses a mix of archival, ethnographic, and performative techniques, a proposed method that adds a necessary degree of complexity to architectural history. The method enacts a new form of knowledge where our bodies inform the findings, from materiality to meaning, and connects to new architectural history approaches, namely Architectural Anthropology and Performative Design Research. With all these elements, we are proposing a rich, empirical account of the project by means of three re-enactments of the Van Eycks’ homelife: a visit to the attic, table talk under the skylight, and a lively lunch in the garden. The account offers deep insights into how architectural ideas take material form, showing that specific ways of understanding history, time, or space, are indeed embodied within our built environment and that they can only be disentangled, with the help of our bodies, by performing actions within, in and around buildings.\",\"PeriodicalId\":44236,\"journal\":{\"name\":\"METU Journal of the Faculty of Architecture\",\"volume\":\"78 1\",\"pages\":\"482 - 509\"},\"PeriodicalIF\":0.3000,\"publicationDate\":\"2023-02-24\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"METU Journal of the Faculty of Architecture\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1080/13602365.2023.2167851\",\"RegionNum\":4,\"RegionCategory\":\"艺术学\",\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"ARCHITECTURE\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"METU Journal of the Faculty of Architecture","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1080/13602365.2023.2167851","RegionNum":4,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"ARCHITECTURE","Score":null,"Total":0}
Embodiment takes command: re-enacting Aldo and Hannie van Eyck’s homelife
Grounded in an experiential understanding of architecture, this research explores ways in which architectural history can help bring works or ideas more vividly to the present. We propose here an embodied visit to Aldo and Hannie van Eyck’s house in Loenen aan de Vecht. In the house, layers of temporality, materiality, everyday living, and lived experience mingle with design solutions and worldviews affecting them. By immersing into the materiality of the Van Eycks’ home, the paper offers a lively, intensive, and qualitative understanding of the design and its connections with the architect’s contributions to post-war architectural discourses. The experiential account uses a mix of archival, ethnographic, and performative techniques, a proposed method that adds a necessary degree of complexity to architectural history. The method enacts a new form of knowledge where our bodies inform the findings, from materiality to meaning, and connects to new architectural history approaches, namely Architectural Anthropology and Performative Design Research. With all these elements, we are proposing a rich, empirical account of the project by means of three re-enactments of the Van Eycks’ homelife: a visit to the attic, table talk under the skylight, and a lively lunch in the garden. The account offers deep insights into how architectural ideas take material form, showing that specific ways of understanding history, time, or space, are indeed embodied within our built environment and that they can only be disentangled, with the help of our bodies, by performing actions within, in and around buildings.
期刊介绍:
METU JOURNAL OF THE FACULTY OF ARCHITECTURE is a biannual refereed publication of the Middle East Technical University published every June and December, and offers a comprehensive range of articles contributing to the development of knowledge in man-environment relations, design and planning. METU JFA accepts submissions in English or Turkish, and assumes that the manuscripts received by the Journal have not been published previously or that are not under consideration for publication elsewhere. The Editorial Board claims no responsibility for the opinions expressed in the published manuscripts. METU JFA invites theory, research and history papers on the following fields and related interdisciplinary topics: architecture and urbanism, planning and design, restoration and preservation, buildings and building systems technologies and design, product design and technologies. Prospective manuscripts for publication in these fields may constitute; 1. Original theoretical papers; 2. Original research papers; 3. Documents and critical expositions; 4. Applied studies related to professional practice; 5. Educational works, commentaries and reviews; 6. Book reviews Manuscripts, in English or Turkish, have to be approved by the Editorial Board, which are then forwarded to Referees before acceptance for publication. The Board claims no responsibility for the opinions expressed in the published manuscripts. It is assumed that the manuscripts received by the Journal are not sent to other journals for publication purposes and have not been previously published elsewhere.