{"title":"“自由歌唱我的自由”:加斯帕拉·斯坦帕和路易丝·拉贝莱文学自我的编织与建构","authors":"Olimpia Pelosi","doi":"10.1353/MDI.2018.0004","DOIUrl":null,"url":null,"abstract":"High Renaissance Venice: a lavish, cosmopolitan city at the peak of its economic, cultural, and artistic opulence, stretching in an intricate architectural “maze” of palaces, alleys, and canals where—as remarked by Feldman (XVII, 3)—the most heterogeneous social classes coexisted in a prosperous, harmonious contiguity. From this splendid urban space in the fall of 1554, Cassandra Stampa, in her dedicatory epistle to Giovanni Della Casa that opens the posthumous book of her sister Gaspara Stampas’s Rime, wrote the following:","PeriodicalId":36685,"journal":{"name":"Scripta Mediaevalia","volume":"10 1","pages":"115 - 141"},"PeriodicalIF":0.0000,"publicationDate":"2018-10-29","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"\\\"Free to Sing My Liberty\\\": Weaving and the Construction of the Literary Self in Gaspara Stampa and Louise Labé\",\"authors\":\"Olimpia Pelosi\",\"doi\":\"10.1353/MDI.2018.0004\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"High Renaissance Venice: a lavish, cosmopolitan city at the peak of its economic, cultural, and artistic opulence, stretching in an intricate architectural “maze” of palaces, alleys, and canals where—as remarked by Feldman (XVII, 3)—the most heterogeneous social classes coexisted in a prosperous, harmonious contiguity. From this splendid urban space in the fall of 1554, Cassandra Stampa, in her dedicatory epistle to Giovanni Della Casa that opens the posthumous book of her sister Gaspara Stampas’s Rime, wrote the following:\",\"PeriodicalId\":36685,\"journal\":{\"name\":\"Scripta Mediaevalia\",\"volume\":\"10 1\",\"pages\":\"115 - 141\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2018-10-29\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Scripta Mediaevalia\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1353/MDI.2018.0004\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"Q4\",\"JCRName\":\"Arts and Humanities\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Scripta Mediaevalia","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1353/MDI.2018.0004","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"Q4","JCRName":"Arts and Humanities","Score":null,"Total":0}
"Free to Sing My Liberty": Weaving and the Construction of the Literary Self in Gaspara Stampa and Louise Labé
High Renaissance Venice: a lavish, cosmopolitan city at the peak of its economic, cultural, and artistic opulence, stretching in an intricate architectural “maze” of palaces, alleys, and canals where—as remarked by Feldman (XVII, 3)—the most heterogeneous social classes coexisted in a prosperous, harmonious contiguity. From this splendid urban space in the fall of 1554, Cassandra Stampa, in her dedicatory epistle to Giovanni Della Casa that opens the posthumous book of her sister Gaspara Stampas’s Rime, wrote the following:
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