会议审查

P. Kevitt, C. Mulvihill, Seán O. Nualláin
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引用次数: 10

摘要

在澳大利亚和新西兰,风景园林教育工作者非常稀缺。由于该地区提供景观设计学位的机构只有50所,因此教育工作者的数量很少。相比之下,景观建筑教育者委员会(CELA)有大约64个成员机构,其中包括700名景观教育者。就地理而言,仅澳大利亚的面积就接近美利坚合众国的面积,而在其以东2 500公里处的新西兰使该区域的面积更大。教育工作者数量少,地域广阔,使得任何社区意识的建立都具有挑战性。因此,在一个地方聚会的机会是非常受欢迎的,以一种取代任何形式的电子通信的方式克服了距离的摩擦。澳大利亚景观建筑教育者组织(AELA)经历了一段不完整的历史。作为一个相当非正式的组织,正在进行的会议依赖于个别机构的倡议,而不是一个理事机构。在20世纪80年代和90年代初的一段时间里,会议相当定期地举行,最后一次会议于1996年在皇家墨尔本理工学院(RMIT)举行,随后是一段时间的沉默。召开另一次会议的需要打乱了各机构的议程,但促成这一需要的是新南威尔士大学(UNSW)。由于教员和项目的变化,悉尼奥运会前发生的事情,以及CELA在1999年9月波士顿会议后提出的一种方法,新南威尔士大学在2000年2月初召开了一次会议,为会议征集论文。在短短三个月的时间里,景观建筑项目负责人Linda Corkery和她在新南威尔士大学的团队组织了一次非常难忘的会议。25位学者出席了会议,其中19位发表了论文。有这么大比例的代表发言,气氛是学院式的,而不是等级式的,鼓励讨论和辩论。会议的暗流之一是对定义和身份的关注,反映了在学科和地理意义上对边缘化的看法。这体现在一系列方面,例如,将创造性过程的本质定义为研究,将景观建筑定义为反对建筑入侵的建筑,将教育者定义为本文最后讨论的社区。Helen Armstrong教授根据她在昆士兰科技大学(QUT)评审工作室的经验和实践,阐述了如何定义景观建筑的创作过程(landscape Review, 1999年第5期第2期)。(《景观评论》深入探讨了这一观点,并刊登了Armstrong教授的一篇重要文章。)定义和捍卫创造性过程作为一种合法的研究和学术形式,对于解决景观教育者认为他们在传统研究框架中被边缘化的看法至关重要。
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Conference review
LANDSCAPE ARCHITECTURE EDUCATORS in Australia and New Zealand are scarce. With only IO institutions in the region offering landscape architecture degrees the number of educators is small. Byway of contrast, the Council of Educators in Landscape Architecture (CELA) has some 64 member institutions, including 700 landscape educators. In geographical terms, Australia alone is nearly the size of the United States of America and, stretching the region even wider, New Zealand is located a further 2,500 kilometres to the east. The small number of educators and expansive region malces the creation of any sense of a community a challenging prospect. The opportunity to gather together in one location was therefore a very welcome one, overcoming the friction of distance in a way that supersedes any form of electronic communication. The Australasian Educators in Landscape Architecture group (AELA) has experienced a patchy history. As a result of being a fairly informal organisation, ongoing meetings have relied on the initiative of individual institutions rather than a governing body. For a time during the 1980s and early 1990S conferences were held on a fairly regular basis, The last conference was held at the Royal Melbourne Institute of Technology (RMIT) in 1996, followed by a period of silence. The need for another meeting was shuftling up the agendas of various institutions, but it was the University of New South Wales (UNSW) who made it happen. Spurred by a period of change within their faculty and programme, the pre-Olympic happenings in Sydney, and an approach from CELA following the Boston meeting in September 1999, the UNSW put out a call for papers for a conference in early February 2000. In a period of just three months Linda Corkery, Landscape Architecture Programme Head, and her team at UNSW put together a very memorable conference. Twenty-five academics attended the conference, 19 of whom presented papers. With such a large proportion of the delegates speaking, the atmosphere was collegial rather than hierarchical, encouraging discussion and debate. One of the undercurrents of the conference was a concern with definition and identity, reflecting a perception of marginalisation in both a disciplinary and geographical sense. This surfaced in a range of ways, for example in defining the nature of creative process as research, and defining landscape architecture against incursion by architecture, defining this community of educators as discussed at the end of this review. Professor Helen Armstrong addressed the issue of defming landscape architecture's creative processes as research from her experience and practice in refereed studios at the Queensland University of Technology (QUT), (Issue 1999: 5 (2) of Landscape Review, explored this idea in depth, and features a key article by Professor Armstrong.) Defining and defending creative processes as a legitimate form of research and scholarship is critical to addressing the perceptions oflandscape educators that they are marginalised within traditional research frameworks.
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