幼儿“歌舞游戏”过渡现象的探讨

Hironobu Ogane, Kaname Ogane
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引用次数: 0

摘要

关于使用静脸程序来评估婴儿在压力情况下的舒适度和再参与的研究缺乏。虽然之前的研究已经基于Winnicott的理论研究了过渡现象,但本研究使用了“填充玩具”和“歌曲和音乐剧”来进行静止脸程序。本研究旨在探讨幼儿在“歌舞游戏”中的过渡现象,为幼儿的心理支持提供新的视角。还分析了婴儿反应和产妇可得性。研究对象为32名婴儿(年龄17.97个月,SD = 1.43)及其母亲(年龄32.28岁,SD = 2.96)。结果表明,婴儿对“填充玩具”具有接受性,并表现出积极的反应。此外,“歌曲和音乐剧”模仿的出现比例也有所增加。这表明婴儿使用“歌曲和音乐游戏”来管理和控制他们在压力情况下的情绪。此外,当母亲表现出母亲的可用性作为一种情绪节奏时,婴儿的反应变得积极。因此,幼儿表现出以“歌舞剧”为过渡对象的社会参与内在对象符号化的过渡现象。
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Exploring the Transition Phenomenon of “Song and Musical Play” in Infants
ABSTRACT There is a lack of research regarding the use of the still-face procedure to assess infants’ comfort and reengagement in stressful situations. While previous studies have already investigated the transitional phenomenon based on Winnicott’s theory, this study uses “stuffed toy” and “song and musical play” with the still-face procedure. This study aimed to examine the transition phenomenon of infants in “song and musical play” and provide a new perspective regarding psychological support for infants. Infant responses and maternal availabilities were also analyzed. The study participants were 32 infants (M age = 17.97 months, SD = 1.43) and their mothers (M age = 32.28 years, SD = 2.96). The results showed that infants were receptive to the “stuffed toy” and displayed positive responses. Additionally, the appearance ratios of “song and musical play” imitations increased. This suggests that the infants used “song and musical play” to manage and control their affect in stressful situations. Furthermore, when the mothers exhibited maternal availability as an emotional rhythm, the infants’ responses became positive. Therefore, the infants demonstrated the transitional phenomenon to symbolize inner objects for social participation using “song and musical play” as the transitional object.
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CiteScore
1.70
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0.00%
发文量
37
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