{"title":"电视转换:介入电视制作中(媒体)公民的塑造","authors":"Balázs Boross","doi":"10.1177/17496020221130256","DOIUrl":null,"url":null,"abstract":"Interventional reality programmes often give rise to speculations about how they treat their contributors. However, little is known about the actual production practices that lie behind these complex and often contradictory media texts. Based on in-depth interviews with crew members of a variety of popular formats, this article explores how ordinary people are turned into subjects of emancipation and spectacular transformations. By analysing the ideals, tactics and constraints characterising this process, I address how particular discursive and organisational mechanisms support or hinder morally viable compromises in situations where the imperative of ‘selling strong performances’ and personal standpoints come into conflict.","PeriodicalId":51917,"journal":{"name":"Critical Studies in Television","volume":"8 1","pages":""},"PeriodicalIF":0.9000,"publicationDate":"2022-09-28","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Televisual transformations: The making of (media) citizens in interventional television productions\",\"authors\":\"Balázs Boross\",\"doi\":\"10.1177/17496020221130256\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"Interventional reality programmes often give rise to speculations about how they treat their contributors. However, little is known about the actual production practices that lie behind these complex and often contradictory media texts. Based on in-depth interviews with crew members of a variety of popular formats, this article explores how ordinary people are turned into subjects of emancipation and spectacular transformations. By analysing the ideals, tactics and constraints characterising this process, I address how particular discursive and organisational mechanisms support or hinder morally viable compromises in situations where the imperative of ‘selling strong performances’ and personal standpoints come into conflict.\",\"PeriodicalId\":51917,\"journal\":{\"name\":\"Critical Studies in Television\",\"volume\":\"8 1\",\"pages\":\"\"},\"PeriodicalIF\":0.9000,\"publicationDate\":\"2022-09-28\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Critical Studies in Television\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1177/17496020221130256\",\"RegionNum\":2,\"RegionCategory\":\"艺术学\",\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"FILM, RADIO, TELEVISION\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Critical Studies in Television","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1177/17496020221130256","RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"FILM, RADIO, TELEVISION","Score":null,"Total":0}
Televisual transformations: The making of (media) citizens in interventional television productions
Interventional reality programmes often give rise to speculations about how they treat their contributors. However, little is known about the actual production practices that lie behind these complex and often contradictory media texts. Based on in-depth interviews with crew members of a variety of popular formats, this article explores how ordinary people are turned into subjects of emancipation and spectacular transformations. By analysing the ideals, tactics and constraints characterising this process, I address how particular discursive and organisational mechanisms support or hinder morally viable compromises in situations where the imperative of ‘selling strong performances’ and personal standpoints come into conflict.
期刊介绍:
Critical Studies in Television publishes articles that draw together divergent disciplines and different ways of thinking, to promote and advance television as a distinct academic discipline. It welcomes contributions on any aspect of television—production studies and institutional histories, audience and reception studies, theoretical approaches, conceptual paradigms and pedagogical questions. It continues to invite analyses of the compositional principles and aesthetics of texts, as well as contextual matters relating to both contemporary and past productions. CST also features book reviews, dossiers and debates. The journal is scholarly but accessible, dedicated to generating new knowledge and fostering a dynamic intellectual platform for television studies.