Madhavrao Sapre at the Advent of Writing

By placing itself strategically within the debates surrounding the first Hindi short story, its authenticity and its colonial context, this essay wants to understand the repercussions that any claim of “first-ness” has for literature in general and Hindi literary historiography in particular. The underlying assumption is that in claiming something as a “first”, one inaugurates a tension – an event – in history. Latent in such a claim is the suggestion that the event, the first short story in this case, actually inaugurates a kind of prose writing that is absolutely new and singular without any historical antecedents. Instead of making any historically definitive claims of its own, or vouching for one of the many contending Hindi short stories, this essay traces the gestures of historiography that circumscribe Madhavrao Sapre’s short story Ek Tokri Bhar Mitti, and announce its originality. The essay’s focus on the Hindi prose, especially short story, would be guided by the historiography of the form, the choice of narrative technique, thematic models, the register of Hindi used in the stories, and quite significantly, the place and motive of publication. Also relevant to the essay, as both a backdrop and a conceptual optic, is Derrida’s theorization of generic events – events that mark the beginning of a specific genre of writing and of the laws that give the genre its proper name. The proper name attributed to Sapre’s work, to the advent it marks, is kahaani or short story and, with Derrida, this essay will question the possibilities of both the advent and its attendant proper name.