通过移动应用程序唱歌和播放音乐:Smule,一种新的音乐体验

Q4 Arts and Humanities De Musica Disserenda Pub Date : 2021-12-16 DOI:10.54103/2465-0137/16877
Madeleine Le Bouteiller
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引用次数: 0

摘要

手机和互联网的结合导致了应用程序的诞生,这些应用程序允许用户仅使用智能手机就可以演奏音乐。通过我们在本文中分析的Smule应用程序,人们可以与来自世界各地的其他歌手一起唱卡拉ok,或者用指尖敲击手机屏幕播放曲调。除了提供新的娱乐活动之外,Smule应用程序及其关于音频和视频编辑的多种选项可以带来新的音乐实践和音乐工件。小用户可以远程演唱二重唱,而不必同时演唱——这是一种虚拟的集体表演。唱卡拉ok变成了一种孤独的练习,在这里,团聚是人为的,但却无法实现。视频录像可以在内置的社交网络上编辑和分享,从而获得了一项新功能:在社交网络中建立联系。通过分析Smule创造者和开发者的话语,我们也发现这些应用程序并没有实现它们所承诺的功能,即提供社会和真实的实践。
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Singing and playing music through mobile applications: Smule, a new music experience
Mobile phones and the Internet combined have led to the creation of applications that allow their users to perform music using only their Smartphones. With the Smule applications that we analyze in this paper, people can sing karaoke together with other singers from all over the world, or play a tune with their fingertips tapping on a phone’s screen. Besides providing new entertainment activities, the Smule applications and their multiple options regarding audio and video editing can bring about new musical practices and musical artifacts. Smule users can sing duets remotely, without actually singing on the same time – a virtual collective performance. Singing karaoke becomes a solitary practice where togetherness is contrived but not achieved. Video recordings can be edited and shared on a built-in social network, thus being endorsed with a new function: to create bonds within a social network. Analyzing the discourses of Smule creators and developers, we also show that the applications do not achieve what they are promised to do, namely providing social and authentic practices. 
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来源期刊
De Musica Disserenda
De Musica Disserenda Arts and Humanities-Music
CiteScore
0.30
自引率
0.00%
发文量
7
期刊介绍: De musica disserenda is an international journal of musical scholarship. It is published by the Institute of Musicology ZRC SAZU (Scientific Research Centre of the Slovenian Academy of Sciences and Arts) at the ZRC Publishing (Založba ZRC). The journal is publishing musicological as well as interdisciplinary articles regarding music, with a special attention given to the texts on history of music on the territory of today’s Slovenia in wider European context. Individual issues of the journal with various dissertations are published twice a year, while thematic double issues are published at the end an individual year. The articles are published in Slovenian, English, German, French or Italian languages, with keywords and abstracts in English and Slovenian. A longer summary in Slovenian or English is given at the end of each article.
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