戏剧教育及其必要的干扰*

M. Hunter
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引用次数: 4

摘要

在21世纪的澳大利亚学校教育中,课程的连贯性既是福也是祸。教师们现在有了来之不易的、令人愉快的执照,可以在澳大利亚教育的一个规定的地方发扬艺术。然而,对于这位细心的艺术教育家来说,紧张局势仍然存在。我们如何让艺术在儿童和年轻人的手中发挥出它们最擅长的作用——例如,人性化、政治化和颠覆性——同时确保学习是可衡量的、负责任的,而且(我们敢说)是可控的?这是我们教育时代的张力,它实际上可以为学校改革开辟新的途径,并提供新的方式来看待学习在生活中的重要性,特别是对于那些目前被主要寻求衡量和遏制的学校制度剥夺权利的人。从塔斯马尼亚学校的视觉艺术家们安静的破坏中汲取灵感,这个演讲邀请你去质疑更广泛的艺术——特别是戏剧——是如何对学校生活造成必要的破坏的。
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Drama education and its necessary disruptions*
Abstract In twenty-first century schooling in Australia, the coherence of curriculum is both a blessing and a curse. Teachers now have the hard-won and delicious license to bring forth (sing forth!) the arts in a mandated place in Australian education. Yet tensions still exist for the mindful arts educator. How do we enable the arts to do what they do best in the hands of children and young people – for instance, humanise, politicise and disrupt – while at the same time ensure the learning is measurable, accountable and, dare we say, containable? This is the tension of our educational era that could actually open up new pathways to school reform and offer fresh ways to view the importance of learning in life, especially for those currently disenfranchised by school systems that seek primarily to measure and contain. Drawing inspiration from the quiet disruptions of visual artists in Tasmanian schools, this presentation invites you to question how the arts more broadly – and drama specifically – can contribute to necessary disruptions in schooling life.
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2
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