{"title":"相变","authors":"Doruk Efe Gökmen","doi":"10.1142/9789811223433_0009","DOIUrl":null,"url":null,"abstract":"You will, anyway, if you spend any time talking with Jesse Berezovsky, an associate professor of physics at Case Western Reserve University. The longtime science researcher and a part-time viola player has become consumed with understanding and explaining the connective tissue between the two disciplines—more specifically, how the ordered structure of music emerges from the general chaos of sound.","PeriodicalId":8473,"journal":{"name":"arXiv: Statistical Mechanics","volume":"2 1","pages":""},"PeriodicalIF":0.0000,"publicationDate":"2020-10-26","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Phase Transitions\",\"authors\":\"Doruk Efe Gökmen\",\"doi\":\"10.1142/9789811223433_0009\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"You will, anyway, if you spend any time talking with Jesse Berezovsky, an associate professor of physics at Case Western Reserve University. The longtime science researcher and a part-time viola player has become consumed with understanding and explaining the connective tissue between the two disciplines—more specifically, how the ordered structure of music emerges from the general chaos of sound.\",\"PeriodicalId\":8473,\"journal\":{\"name\":\"arXiv: Statistical Mechanics\",\"volume\":\"2 1\",\"pages\":\"\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2020-10-26\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"arXiv: Statistical Mechanics\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1142/9789811223433_0009\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"arXiv: Statistical Mechanics","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1142/9789811223433_0009","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
You will, anyway, if you spend any time talking with Jesse Berezovsky, an associate professor of physics at Case Western Reserve University. The longtime science researcher and a part-time viola player has become consumed with understanding and explaining the connective tissue between the two disciplines—more specifically, how the ordered structure of music emerges from the general chaos of sound.
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