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引用次数: 0
摘要
有了这样一个明确的标题,《L 'appel des entientit脆弱体:Enquêter avec des modes d 'existence de Bruno Latour》的意图就非常明确了:参考拉图尔在《生存模式探究:现代人人类学》中开发的概念工具箱,这本书旨在“倾听非人类实体的呼唤”,将它们视为现代人类生存所表现出来的不同“模式”中的重要元素。“存在模式”一词借用自Étienne Souriau(2015),并被拉图尔用作他自己的现代性人类学框架,升级了他之前作品中使用的“中介”概念,这一概念过于模棱两可,经常被错误地推断为非人类实体是简单的中介,只是传达信息,而不是将旧情况转变、重塑和重建为新的。拉图尔的新术语试图确定看似普遍的“模式”——如政治、法律、技术或小说——如何仅靠人类和非人类实体之间复杂的互动网络来维持。这本书延续了拉图尔的理论努力,进一步强调了人类认识到非人类存在的必要性,这种必要性经常被全能的现代话语削弱(脆弱),这些话语常常使任何其他“声音”丧失资格,并使之沉默。每一章都聚焦于一个特定的模式——从“[FIC]tion”到“[POL] politics”——追踪非人类在特定环境中维持它们的作用。B:好吧,我知道了
With such an explicit title, the intention of L’appel des entités fragiles: Enquêter avec des modes d’existence de Bruno Latour is more than clear: referring to the conceptual toolbox devel oped in Latour’s Inquiry into Modes of Existence: An Anthropology of the Moderns, the book aims to “listen to the call” of nonhuman entities to recognize them as important elements in the different “modes” in which modern human existence manifests itself. The term modes of existence, borrowed from Étienne Souriau (2015) and used by Latour as a framework for his own anthropology of modernity, upgrades the notion of “mediation” used in his previous works, which was too ambiv alent and often mistaken for inferring that nonhuman entities are simple intermediaries that only convey a message without transforming, reshaping, and rebuilding the old situation into a new one. Latour’s new terminology attempts to identify how seemingly universal “modes”—such as politics, law, technol ogy, or fiction—are sustained only by complex networks of interaction between humans and nonhuman entities. The book continues Latour’s theoretical efforts, further emphasizing the necessity for humans to recognize nonhumans’ existence, which is often weakened (fragilisé) by omnipotent modern discourses that often disqualify and reduce any other “voices” to silence. Each chapter focuses on a particular mode—from “[FIC]tion” to “[POL]itics”—tracing the affordance of non humans in sustaining them in specific settings. B o o k R e v i e w
期刊介绍:
Cultural Politics is an international, refereed journal that explores the global character and effects of contemporary culture and politics. Cultural Politics explores precisely what is cultural about politics and what is political about culture. Publishing across the arts, humanities, and social sciences, the journal welcomes articles from different political positions, cultural approaches, and geographical locations. Cultural Politics publishes work that analyzes how cultural identities, agencies and actors, political issues and conflicts, and global media are linked, characterized, examined, and resolved. In so doing, the journal supports the innovative study of established, embryonic, marginalized, or unexplored regions of cultural politics. Cultural Politics, while embodying the interdisciplinary coverage and discursive critical spirit of contemporary cultural studies, emphasizes how cultural theories and practices intersect with and elucidate analyses of political power. The journal invites articles on representation and visual culture; modernism and postmodernism; media, film, and communications; popular and elite art forms; the politics of production and consumption; language; ethics and religion; desire and psychoanalysis; art and aesthetics; the culture industry; technologies; academics and the academy; cities, architecture, and the spatial; global capitalism; Marxism; value and ideology; the military, weaponry, and war; power, authority, and institutions; global governance and democracy; political parties and social movements; human rights; community and cosmopolitanism; transnational activism and change; the global public sphere; the body; identity and performance; heterosexual, transsexual, lesbian, and gay sexualities; race, blackness, whiteness, and ethnicity; the social inequalities of the global and the local; patriarchy, feminism, and gender studies; postcolonialism; and political activism.