数据预言与预言:平台媒体时代的把关

Q1 Arts and Humanities Studies in South Asian Film and Media Pub Date : 2023-06-01 DOI:10.1386/safm_00071_1
A. Rastogi
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引用次数: 0

摘要

数据通常被解读为一个算法对象、一个机器人和一个解释媒体市场的工具。虽然投机性的票房数据通常被用来理解行业趋势,但数据分析已经成为一种新工具。电影越来越被视为创造价值的企业,新自由主义市场从内容的单一逻辑来定义它们。因此,就像任何其他新自由主义产品一样,一部电影必须进一步被分割成其他可货币化的特征和实体,这些特征和实体可以增加长长的价值链,帮助延长其保质期。此外,观众越来越多地转向基于个人设备的放映,而不是影院观看,这使得将他们的观看活动货币化并将他们作为个人进行追踪成为可能。随着数据成为电影行业投机性金融框架的具体化工具,讲故事变成了节奏。本文试图通过研究如何利用数据对未来做出预测,并解释趋势和偏好,来描绘印度电影行业不断变化的轮廓。
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Data prophesies and soothsaying: Gatekeeping in the era of platform media
Data is often read as an algorithmic object, a bot and a tool for interpreting media markets. While speculative box-office figures have been conventionally used to make sense of industry trends, data analytics has emerged as a new tool. Films are increasingly seen as value-accruing enterprises and neoliberal markets define them from the singular logic of content. As a result, much like any other neoliberal product, a film has to be further divisible into other monetizable traits and entities that add to the long chain of value, helping in prolonging its shelf life. Moreover, the audience has increasingly migrated towards individual device-based screenings as opposed to theatrical viewing, making it possible to monetize their viewing activities and trace them as dividuals. Storytelling becomes about beats, as data becomes a tool for reifying the speculative financial framework for the film industry. This article attempts to map the changing contours of Hindi film industry by examining how data is appropriated to make projections about the future and interpret trends and preferences.
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来源期刊
Studies in South Asian Film and Media
Studies in South Asian Film and Media Arts and Humanities-Visual Arts and Performing Arts
CiteScore
0.70
自引率
0.00%
发文量
8
期刊最新文献
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