{"title":"大土墩:作为历史保护的定居者破坏","authors":"A. León","doi":"10.1080/13602365.2023.2193610","DOIUrl":null,"url":null,"abstract":"In 1869, the Osage burial monument known as Big Mound, located in the middle of downtown St. Louis, was destroyed. But the desecration of the site did not end there. The multiple destructions and memorialisations that this sacred site subsequently endured reveal the markers of settler colonialism, a form of occupation that replaces Indigenous populations with invasive societies. We can see this pattern take shape in the narratives constructed around the site, in the manner in which its destruction was enacted and recorded, and in the commemoration efforts made in 1929 under the sponsorship of the Colonial Dames of America. This association is dedicated to honouring the memory of settlers, the agents involved in the destruction and dispossession of Indigenous populations. The plaque installed by the group prioritises them over the Indigenous builders it is supposed to commemorate. Aggressions to the site have not stopped. In 2014, the Missouri Department of Transportation moved the marker to make way for the construction of the Stan Musial Veterans Memorial Bridge. A few efforts have been made to palliate these actions and commemorate the monument. However, these efforts have elided and erased the claims of its builders — the Osage Nation — and constructed an image of these sites as empty, abandoned ruins built by supposedly distant, disappeared groups. By disconnecting the original builders from contemporary Indigenous groups, they have followed settler colonial frameworks resulting in acts of both physical and conceptual un-making that extend to the present. Undoing these frameworks is the first step towards reconsidering the broader site, which extends beyond the monument.","PeriodicalId":44236,"journal":{"name":"METU Journal of the Faculty of Architecture","volume":"119 1","pages":"257 - 283"},"PeriodicalIF":0.3000,"publicationDate":"2023-02-17","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Big Mound: settler destruction as historic preservation\",\"authors\":\"A. León\",\"doi\":\"10.1080/13602365.2023.2193610\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"In 1869, the Osage burial monument known as Big Mound, located in the middle of downtown St. Louis, was destroyed. But the desecration of the site did not end there. The multiple destructions and memorialisations that this sacred site subsequently endured reveal the markers of settler colonialism, a form of occupation that replaces Indigenous populations with invasive societies. We can see this pattern take shape in the narratives constructed around the site, in the manner in which its destruction was enacted and recorded, and in the commemoration efforts made in 1929 under the sponsorship of the Colonial Dames of America. This association is dedicated to honouring the memory of settlers, the agents involved in the destruction and dispossession of Indigenous populations. The plaque installed by the group prioritises them over the Indigenous builders it is supposed to commemorate. Aggressions to the site have not stopped. In 2014, the Missouri Department of Transportation moved the marker to make way for the construction of the Stan Musial Veterans Memorial Bridge. A few efforts have been made to palliate these actions and commemorate the monument. However, these efforts have elided and erased the claims of its builders — the Osage Nation — and constructed an image of these sites as empty, abandoned ruins built by supposedly distant, disappeared groups. By disconnecting the original builders from contemporary Indigenous groups, they have followed settler colonial frameworks resulting in acts of both physical and conceptual un-making that extend to the present. Undoing these frameworks is the first step towards reconsidering the broader site, which extends beyond the monument.\",\"PeriodicalId\":44236,\"journal\":{\"name\":\"METU Journal of the Faculty of Architecture\",\"volume\":\"119 1\",\"pages\":\"257 - 283\"},\"PeriodicalIF\":0.3000,\"publicationDate\":\"2023-02-17\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"METU Journal of the Faculty of Architecture\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1080/13602365.2023.2193610\",\"RegionNum\":4,\"RegionCategory\":\"艺术学\",\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"ARCHITECTURE\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"METU Journal of the Faculty of Architecture","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1080/13602365.2023.2193610","RegionNum":4,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"ARCHITECTURE","Score":null,"Total":0}
Big Mound: settler destruction as historic preservation
In 1869, the Osage burial monument known as Big Mound, located in the middle of downtown St. Louis, was destroyed. But the desecration of the site did not end there. The multiple destructions and memorialisations that this sacred site subsequently endured reveal the markers of settler colonialism, a form of occupation that replaces Indigenous populations with invasive societies. We can see this pattern take shape in the narratives constructed around the site, in the manner in which its destruction was enacted and recorded, and in the commemoration efforts made in 1929 under the sponsorship of the Colonial Dames of America. This association is dedicated to honouring the memory of settlers, the agents involved in the destruction and dispossession of Indigenous populations. The plaque installed by the group prioritises them over the Indigenous builders it is supposed to commemorate. Aggressions to the site have not stopped. In 2014, the Missouri Department of Transportation moved the marker to make way for the construction of the Stan Musial Veterans Memorial Bridge. A few efforts have been made to palliate these actions and commemorate the monument. However, these efforts have elided and erased the claims of its builders — the Osage Nation — and constructed an image of these sites as empty, abandoned ruins built by supposedly distant, disappeared groups. By disconnecting the original builders from contemporary Indigenous groups, they have followed settler colonial frameworks resulting in acts of both physical and conceptual un-making that extend to the present. Undoing these frameworks is the first step towards reconsidering the broader site, which extends beyond the monument.
期刊介绍:
METU JOURNAL OF THE FACULTY OF ARCHITECTURE is a biannual refereed publication of the Middle East Technical University published every June and December, and offers a comprehensive range of articles contributing to the development of knowledge in man-environment relations, design and planning. METU JFA accepts submissions in English or Turkish, and assumes that the manuscripts received by the Journal have not been published previously or that are not under consideration for publication elsewhere. The Editorial Board claims no responsibility for the opinions expressed in the published manuscripts. METU JFA invites theory, research and history papers on the following fields and related interdisciplinary topics: architecture and urbanism, planning and design, restoration and preservation, buildings and building systems technologies and design, product design and technologies. Prospective manuscripts for publication in these fields may constitute; 1. Original theoretical papers; 2. Original research papers; 3. Documents and critical expositions; 4. Applied studies related to professional practice; 5. Educational works, commentaries and reviews; 6. Book reviews Manuscripts, in English or Turkish, have to be approved by the Editorial Board, which are then forwarded to Referees before acceptance for publication. The Board claims no responsibility for the opinions expressed in the published manuscripts. It is assumed that the manuscripts received by the Journal are not sent to other journals for publication purposes and have not been previously published elsewhere.