翻译前言

Q3 Arts and Humanities History of Philosophy Quarterly Pub Date : 2022-11-10 DOI:10.21146/2074-5869-2022-27-2-117-130
O. Kusenko
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引用次数: 0

摘要

在这篇文章中,我们提供了弗拉基米尔·扎布金(Vladimir Zabugin)的遗作《意大利基督教文艺复兴史》(1924年,米兰)中的一个重要片段的第一个注释版和翻译。扎布金是俄罗斯历史学家、语言学家和思想家,20世纪前25年在意大利生活和工作。他提出了“基督教文艺复兴”的概念,废除了中世纪和文艺复兴的对立,也废除了文艺复兴是古代复兴的观点,对思想史做出了重要贡献。扎布金在意大利阿尔卑斯山的一次登山事故中突然死亡,使他无法完成他杰出的专著:编辑文本、编写注释、参考书目、姓名索引,这些都使专家很难参考文本。这是因为本文的特别重点在于对片段进行评论,并通过扎布金的关键概念点来引导读者。书中第一章的片段试图强调意大利文艺复兴初期文学、哲学、建筑、美术中古典和基督教文化的连续性。参考文艺复兴前夕(13世纪),扎布金清楚地说明了基督教文化如何在这里“统治”,而异教文化如何“服侍”。
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Preface to translation
In this article, we provide the first commented edition and translation of an important fragment from Vladimir Zabugin’s posthumous work “The History of the Christian Renaissance in Italy” (Milan, 1924). Zabugin was a Russian historian, philologist and thinker, who lived and worked in Italy in the first quarter of the 20th century. He made an important contribution to the history of ideas with his concept of “Christian Renaissance”, abolishing the postulated antithesis of the Middle Ages and Renaissance as well as the idea of the Renaissance as the revival of antiquity. A sudden death in a mountaineering accident in the Italian Alps prevented Zabugin from completing his outstanding monography: editing the text, compiling notes, bibliography, name index, the absence of which made it very difficult for specialists to refer to the text. That is because a special focus of the present article lies in commenting the fragment and guiding the reader through Zabugin’s key conceptional points. The presented fragment of the first chapter of the book sought to emphasize the continuity of classical and christian culture in Italian proto-Renaissance literature, philosophy, architecture, fine arts. Refering to the eve of the Renaissance (13th century), Zabugin clearly demonstrates how the Christian culture “imperat” here, and the pagan one “ministrat”.
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来源期刊
History of Philosophy Quarterly
History of Philosophy Quarterly Arts and Humanities-Philosophy
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