{"title":"当图片讲述故事:一本插图祈祷书中的想象和认知","authors":"A. Clark","doi":"10.1353/MDI.2019.0001","DOIUrl":null,"url":null,"abstract":"Abstract:Bayerische Staatsbibliothek München Clm 935 (the so-called Prayer Book of Hildegard of Bingen, produced in the 1170s in the Rhineland) offered an innovative program for women's prayer. Coupling full-page paintings of sequential biblical scenes with prayers linking the biblical episode to the personal life of the reader, the manuscript offered its user not only an abridged visual Bible, but a new type of support for a complex devotional practice. With complementary but by no means homogeneous possibilities of meaning suggested by the words and images, the reader/viewer was enabled to craft a way of prayer not explicitly guided by rubrics or directions. Focusing on scenes from the Creation series and the Passion narrative, this essay uses some recent insights of neuroscience and cognitive theory to provide a reading of the kind of mental experience likely to be engaged by the reader/viewer of this prayer book.","PeriodicalId":36685,"journal":{"name":"Scripta Mediaevalia","volume":"50 1","pages":"27 - 58"},"PeriodicalIF":0.0000,"publicationDate":"2019-06-11","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"When Pictures Tell the Story: Imagination and Cognition in an Illustrated Prayer Book\",\"authors\":\"A. Clark\",\"doi\":\"10.1353/MDI.2019.0001\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"Abstract:Bayerische Staatsbibliothek München Clm 935 (the so-called Prayer Book of Hildegard of Bingen, produced in the 1170s in the Rhineland) offered an innovative program for women's prayer. Coupling full-page paintings of sequential biblical scenes with prayers linking the biblical episode to the personal life of the reader, the manuscript offered its user not only an abridged visual Bible, but a new type of support for a complex devotional practice. With complementary but by no means homogeneous possibilities of meaning suggested by the words and images, the reader/viewer was enabled to craft a way of prayer not explicitly guided by rubrics or directions. Focusing on scenes from the Creation series and the Passion narrative, this essay uses some recent insights of neuroscience and cognitive theory to provide a reading of the kind of mental experience likely to be engaged by the reader/viewer of this prayer book.\",\"PeriodicalId\":36685,\"journal\":{\"name\":\"Scripta Mediaevalia\",\"volume\":\"50 1\",\"pages\":\"27 - 58\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2019-06-11\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Scripta Mediaevalia\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1353/MDI.2019.0001\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"Q4\",\"JCRName\":\"Arts and Humanities\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Scripta Mediaevalia","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1353/MDI.2019.0001","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"Q4","JCRName":"Arts and Humanities","Score":null,"Total":0}
引用次数: 0
摘要
摘要:Bayerische Staatsbibliothek m nchen Clm 935(所谓的宾根希尔德加德祈祷书,于17世纪70年代在莱茵兰制作)为女性祈祷提供了一个创新的计划。整页的《圣经》场景的连续绘画与祈祷相结合,将《圣经》中的情节与读者的个人生活联系起来,手稿不仅为用户提供了一部精简的视觉《圣经》,而且为复杂的祈祷实践提供了一种新的支持。通过文字和图像所暗示的互补但绝非同质的意义可能性,读者/观众能够创造一种不受规则或指示明确指导的祈祷方式。这篇文章以《创造》系列和《激情》叙事中的场景为重点,运用了神经科学和认知理论的一些最新见解,为这本祈祷书的读者/观众提供了一种可能参与的心理体验。
When Pictures Tell the Story: Imagination and Cognition in an Illustrated Prayer Book
Abstract:Bayerische Staatsbibliothek München Clm 935 (the so-called Prayer Book of Hildegard of Bingen, produced in the 1170s in the Rhineland) offered an innovative program for women's prayer. Coupling full-page paintings of sequential biblical scenes with prayers linking the biblical episode to the personal life of the reader, the manuscript offered its user not only an abridged visual Bible, but a new type of support for a complex devotional practice. With complementary but by no means homogeneous possibilities of meaning suggested by the words and images, the reader/viewer was enabled to craft a way of prayer not explicitly guided by rubrics or directions. Focusing on scenes from the Creation series and the Passion narrative, this essay uses some recent insights of neuroscience and cognitive theory to provide a reading of the kind of mental experience likely to be engaged by the reader/viewer of this prayer book.