“他们很高兴为自己跳舞”:解构亲密关系——莫罗·德·圣-姆萨梅里的“舞蹈”与殖民时期圣多明各黑人女性性行为的幽灵

Sherri V. Cummings
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引用次数: 1

摘要

摘要:在启蒙思想、欧洲旅行叙事和回忆录对美洲非洲妇女及其女儿的种族话语产生影响的时代,Mederic eli Moreau de saint - msamry于1796年创作了一篇散文《舞蹈》。本文翻译并探讨了这位著名作家对圣多明各岛上自由妇女和被奴役妇女的详细准备、节日聚会和程式化身体动作的偷窥观察。解构saint - msamry的偏见,我认为,考虑到有色人种女性的日常生活,尤其是在革命爆发前的港口城市佛朗哥(Cap franais)和太子港(port -au- prince),亲密关系需要重新定义。
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"They Are Delighted to Dance for Themselves": Deconstructing Intimacies – Moreau de Saint-Méry's "Danse" and the Spectre of Black Female Sexuality in Colonial Saint Domingue
Abstract:At a time when Enlightenment ideology, European travel narratives and memoirs influenced racial discourses about African women and their daughters in the Americas, Mederic Elié Moreau de Saint-Méry, writing in 1796, composed the essay "Danse". This paper translates and explores the prominent writer's voyeuristic observations of the detailed preparations, festive gatherings and stylized body movements of free(d) and enslaved women on the island of Saint Domingue. Deconstructing Saint-Méry's biased gaze, I argue that intimacy needs to be redefined considering the everyday lives of women of colour, especially in the port cities of Cap Français and Port-au-Prince, before the stirrings of revolution.
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