{"title":"从思想形态到艺术具象:特雷西·m·本森采访保罗·布朗","authors":"Paul Brown, Tracey M Benson","doi":"10.1162/leon_a_02425","DOIUrl":null,"url":null,"abstract":"In this interview computational and generative artist Paul Brown discusses his early work of the 1960s and 1970s. He also describes his influences along with observations about how this early work directed his later career. The interviewer, artist Tracey M. Benson, practices in the art, science and technology field and is a longtime friend and mentee. The two share many similar interests that are revealed in their conversation.","PeriodicalId":93330,"journal":{"name":"Leonardo (Oxford, England)","volume":"31 1","pages":"-"},"PeriodicalIF":0.0000,"publicationDate":"2023-05-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"From Thought-Forms to Art Concret: Tracey M. Benson Interviews Paul Brown\",\"authors\":\"Paul Brown, Tracey M Benson\",\"doi\":\"10.1162/leon_a_02425\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"In this interview computational and generative artist Paul Brown discusses his early work of the 1960s and 1970s. He also describes his influences along with observations about how this early work directed his later career. The interviewer, artist Tracey M. Benson, practices in the art, science and technology field and is a longtime friend and mentee. The two share many similar interests that are revealed in their conversation.\",\"PeriodicalId\":93330,\"journal\":{\"name\":\"Leonardo (Oxford, England)\",\"volume\":\"31 1\",\"pages\":\"-\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2023-05-30\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Leonardo (Oxford, England)\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1162/leon_a_02425\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Leonardo (Oxford, England)","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1162/leon_a_02425","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
引用次数: 0
摘要
在这次采访中，计算和生成艺术家保罗·布朗讨论了他20世纪60年代和70年代的早期作品。他还描述了他的影响，以及对这些早期作品如何指导他后来的职业生涯的观察。采访者是艺术家特雷西·m·本森(Tracey M. Benson)，从事艺术、科学和技术领域的工作，是他的老朋友和徒弟。这两个人在谈话中显露出许多相似的兴趣。
From Thought-Forms to Art Concret: Tracey M. Benson Interviews Paul Brown
In this interview computational and generative artist Paul Brown discusses his early work of the 1960s and 1970s. He also describes his influences along with observations about how this early work directed his later career. The interviewer, artist Tracey M. Benson, practices in the art, science and technology field and is a longtime friend and mentee. The two share many similar interests that are revealed in their conversation.
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