{"title":"米开朗基罗和我","authors":"Gianluigi Colalucci","doi":"10.6092/issn.1973-9494/9233","DOIUrl":null,"url":null,"abstract":"On March 17, 2017, Gianluigi Colalucci presented his book entitled “ Io e Michelangelo ” at the Accademia Nazionale di San Luca. The volume was presented to the many people present by several personalities from the world of art history, such as Prof. Antonio Paolucci and Prof. Bruno Toscano, and from that of journalism, such as Nino Criscenti, who projected excerpts from the documentaries filmed on the scaffolding of the Sistine Chapel during the many years needed to complete the restoration, as well as reading excerpts from the book. The book’s theme is the story of the 14 long years and the memories that Colalucci has of the restoration of Michelangelo’s frescoes. From the first small cleaning test to the inaugural Mass that Pope John Paul II celebrated in the Chapel to solemnize the end of the restoration. The speakers emphasized the solitude and great responsibility of the restorer at the critical moments in the work, and the author recalled curious episodes and difficult moments faced in cleaning Adam’s head in the Creation of man and Christ’s head in the Last Judgment , among the most exceptional ever painted. There were however also unpleasant moments from those who contested the restoration.","PeriodicalId":42483,"journal":{"name":"Conservation Science in Cultural Heritage","volume":"40 1","pages":"165-175"},"PeriodicalIF":0.1000,"publicationDate":"2018-12-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Michelangelo and I\",\"authors\":\"Gianluigi Colalucci\",\"doi\":\"10.6092/issn.1973-9494/9233\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"On March 17, 2017, Gianluigi Colalucci presented his book entitled “ Io e Michelangelo ” at the Accademia Nazionale di San Luca. The volume was presented to the many people present by several personalities from the world of art history, such as Prof. Antonio Paolucci and Prof. Bruno Toscano, and from that of journalism, such as Nino Criscenti, who projected excerpts from the documentaries filmed on the scaffolding of the Sistine Chapel during the many years needed to complete the restoration, as well as reading excerpts from the book. The book’s theme is the story of the 14 long years and the memories that Colalucci has of the restoration of Michelangelo’s frescoes. From the first small cleaning test to the inaugural Mass that Pope John Paul II celebrated in the Chapel to solemnize the end of the restoration. The speakers emphasized the solitude and great responsibility of the restorer at the critical moments in the work, and the author recalled curious episodes and difficult moments faced in cleaning Adam’s head in the Creation of man and Christ’s head in the Last Judgment , among the most exceptional ever painted. There were however also unpleasant moments from those who contested the restoration.\",\"PeriodicalId\":42483,\"journal\":{\"name\":\"Conservation Science in Cultural Heritage\",\"volume\":\"40 1\",\"pages\":\"165-175\"},\"PeriodicalIF\":0.1000,\"publicationDate\":\"2018-12-31\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Conservation Science in Cultural Heritage\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.6092/issn.1973-9494/9233\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"HUMANITIES, MULTIDISCIPLINARY\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Conservation Science in Cultural Heritage","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.6092/issn.1973-9494/9233","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"HUMANITIES, MULTIDISCIPLINARY","Score":null,"Total":0}
引用次数: 0
摘要
2017年3月17日,Gianluigi Colalucci在圣卢卡国立学院(acadedemia Nazionale di San Luca)展出了他的新书《我是Michelan-gelo》。这本书是由几位来自艺术史世界的人物呈现给在场的许多人,如安东尼奥·保鲁奇教授和布鲁诺·托斯卡诺教授,以及来自新闻界的人物,如尼诺·克里森蒂,他在完成修复所需的多年时间里放映了在西斯廷教堂脚手架上拍摄的纪录片的摘录,并阅读了书中的摘录。这本书的主题是关于科拉鲁奇修复米开朗基罗壁画的14年漫长岁月和回忆的故事。从第一次小的清洁测试到教皇约翰·保罗二世在教堂举行的就职弥撒,以庆祝修复的结束。演讲者强调了作品中关键时刻修复者的孤独和重大责任,作者回忆了在创造人类时清理亚当的头和在最后审判时清理基督的头所面临的奇怪的情节和困难的动作,这些都是有史以来最特殊的绘画。然而,那些反对复辟的人也有不愉快的时刻。
On March 17, 2017, Gianluigi Colalucci presented his book entitled “ Io e Michelangelo ” at the Accademia Nazionale di San Luca. The volume was presented to the many people present by several personalities from the world of art history, such as Prof. Antonio Paolucci and Prof. Bruno Toscano, and from that of journalism, such as Nino Criscenti, who projected excerpts from the documentaries filmed on the scaffolding of the Sistine Chapel during the many years needed to complete the restoration, as well as reading excerpts from the book. The book’s theme is the story of the 14 long years and the memories that Colalucci has of the restoration of Michelangelo’s frescoes. From the first small cleaning test to the inaugural Mass that Pope John Paul II celebrated in the Chapel to solemnize the end of the restoration. The speakers emphasized the solitude and great responsibility of the restorer at the critical moments in the work, and the author recalled curious episodes and difficult moments faced in cleaning Adam’s head in the Creation of man and Christ’s head in the Last Judgment , among the most exceptional ever painted. There were however also unpleasant moments from those who contested the restoration.
期刊介绍:
Conservation Science in Cultural Heritage is an international peer reviewed journal which continues Quaderni di Scienza della Conservazione. Main topics of publication: • Study of the system: artifact-environment-biota • Historical-artistic knowledge of cultural heritage (i.e. author, art movement, period of realization, techniques, society and cultural characteristics, socio-economic context, commissioning, financing, interested public) • History, diagnosis, restoration, maintenance, conservation, valorization, prevention • Document research • Book, codex, and manuscript production in its historical context • Appropriate methodologies and analytical techniques used for the characterization of historical artifacts and evaluation of the conservation state • Environmental monitoring: assessment of atmospheric pollution and correlated degradation of monuments and historical-artistic sites • Micro and macroclimatic monitoring in confined areas (i.e. museums, libraries, archives, churches, galleries…) • Art diagnostics and evaluation of the authentication of art works • Art market and auction houses • Experiences in cultural heritage conservation • Evaluation of the suitability of products for restoration, conservation, and maintenance of works of art • Information science and cultural heritage: data processing and cataloguing methods • Virtual re-elaboration and use of historical artifacts and environments • Study, valorization and digitalization of archive and library heritage • Environmental context and technical-conservative issues related to historic architecture • Virtual or traditional conservation, cataloguing and processing of photographs • Various other topics including education, safeguard, education, legislation, economics, social aspects, management, marketing, interdisciplinarity, internationalization, etc.