{"title":"归巢:音乐作品、版本与真实演奏的巢式理论若干问题","authors":"A. Kania","doi":"10.33134/eeja.360","DOIUrl":null,"url":null,"abstract":"A critical note on Nemesio G. C. Puy, ‘Interpretive Authenticity: Performances, Versions, and Ontology’, Estetika 59 (2022): 135–52. Home to Roost: Some Problems for the Nested-Types Theory of Musical Works, Versions, and Authentic Performance Andrew Kania Trinity University, US CORRESPONDING AUTHOR:","PeriodicalId":53570,"journal":{"name":"Estetika : The Central European Journal of Aesthetics","volume":"12 1","pages":""},"PeriodicalIF":0.0000,"publicationDate":"2022-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"1","resultStr":"{\"title\":\"Home to Roost: Some Problems for the Nested-Types Theory of Musical Works, Versions, and Authentic Performance\",\"authors\":\"A. Kania\",\"doi\":\"10.33134/eeja.360\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"A critical note on Nemesio G. C. Puy, ‘Interpretive Authenticity: Performances, Versions, and Ontology’, Estetika 59 (2022): 135–52. Home to Roost: Some Problems for the Nested-Types Theory of Musical Works, Versions, and Authentic Performance Andrew Kania Trinity University, US CORRESPONDING AUTHOR:\",\"PeriodicalId\":53570,\"journal\":{\"name\":\"Estetika : The Central European Journal of Aesthetics\",\"volume\":\"12 1\",\"pages\":\"\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2022-01-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"1\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Estetika : The Central European Journal of Aesthetics\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.33134/eeja.360\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"Q1\",\"JCRName\":\"Arts and Humanities\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Estetika : The Central European Journal of Aesthetics","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.33134/eeja.360","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"Q1","JCRName":"Arts and Humanities","Score":null,"Total":0}
引用次数: 1
摘要
对Nemesio G. C. Puy,“解释真实性:表演,版本和本体论”的关键注释,Estetika 59(2022): 135-52。归巢:音乐作品、版本和真实表演的巢式理论的若干问题
Home to Roost: Some Problems for the Nested-Types Theory of Musical Works, Versions, and Authentic Performance
A critical note on Nemesio G. C. Puy, ‘Interpretive Authenticity: Performances, Versions, and Ontology’, Estetika 59 (2022): 135–52. Home to Roost: Some Problems for the Nested-Types Theory of Musical Works, Versions, and Authentic Performance Andrew Kania Trinity University, US CORRESPONDING AUTHOR: