阿尔泰-克之族婚礼仪式的文化和符号学规范

N. Tadina
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The bride’s transition into a category of married women occurs through the rite of changing the maiden hairstyle for two braids with a parting, and introducing her to the groom's ancestral hearth by ‘treating’ the fire with oil. In the ritual actions of the participants, the Burkhanist attitude towards ‘the positive’ and the observance of the custom of ‘bay’ are encoded. For the first time, on the basis of the collected material, an anthropomorphic code of the ritual practice of the wedding has been identified, associated with the key idea of Burkhanism - the veneration of Altai-deity, the upper heavenly world that provides earthly life. The temporal code of the ritual actions corresponds to the Burkhanist rule — the period of the new moon and morning is a ‘favorable’ time for proposal and marriage. The spatial code of the wedding ceremonies accounts for the contraposition of ‘east-west’, ‘right-left’, and ‘male-female’. The actional code consists in performing the ritual ‘posolon’ actions and an even number of times according to the Burkhanist symbolism. The object code involves sacred attributes — a whip, a gun, a sheath for opening bride's curtain, juniper, and dairy products for ‘feeding’ the hearth fire. The color code of the wedding is in observance of light symbols — bride's curtain, milk, and sacrificial ribbons. The verbal code is realized in the ritual texts of good wishes and songs. The character code is contained in the composition and role of the sex and age groups: elders as experts in the ritual; maternal uncles-taay and nephews of the bride and groom, whose participation means social recognition and approval of the marriage. The analysis of the wed-ding ritual actions reveals the ‘stringing’ of one code upon another, which enhances the significance of the ritual. One and the same ritual meaning can be expressed by means of different codes and by several of them simulta-neously. 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引用次数: 0

摘要

阿尔泰-基治人是阿尔泰共和国名义上的民族阿尔泰人的中心群体,是布尔罕主义的捍卫者。布克汗主义指的是20世纪初出现的一种信仰体系,是萨满教的“改革”版本。在苏联时期,禁布尔汗主义保存在民族内的仪式文化中,后苏联时期开始复苏。本文的目的是确定Burkhanist con-cepts婚礼文化和符号编码。材料研究是作者自己的领域的2020 - 2022年参与观察和访谈的方法收集的告密者,以及档案的记录A.V. Anokhin, 20世纪早期的一个古董。在分析源库时,采用了比较研究的方法。新娘转变为已婚妇女的过程是这样的:在分开的时候,把少女的发型变成两条辫子,然后把她介绍给新郎的祖先的壁炉,用油“处理”火。在参与者的仪式行为中,伯克汗主义者对“积极”的态度和对“海湾”习俗的遵守被编码。在收集到的材料的基础上,第一次确定了婚礼仪式实践的拟人化代码,与伯克汗主义的关键思想有关-对阿尔泰神的崇拜,提供尘世生活的上层天堂世界。仪式行为的时间规则与布克汗主义的统治相对应——新月和早晨的时期是求婚和结婚的“有利”时间。婚礼仪式的空间编码说明了“东西”、“左右”和“男女”的对位。执行仪式的动态的代码包含在“posolon”行动和偶数次根据Burkhanist象征意义。目标代码涉及神圣的属性-鞭子,枪,打开新娘窗帘的鞘,杜松和“喂”壁炉火的乳制品。婚礼的颜色代码是在光的仪式象征新娘的窗帘,牛奶,和牺牲丝带。语言代码是在祝福和歌曲的仪式文本中实现的。性格代码包含在性别和年龄群体的构成和作用中:长者是仪式的专家;新娘和新郎的叔父、叔父和侄子,他们的参与意味着社会对婚姻的认可和赞同。通过对婚礼仪式行为的分析,揭示了一种法典对另一种法典的“串接”,从而增强了仪式的意义。同一个仪式意义可以表示通过不同的代码和几个simulta-neously。尽管仪式规范具有普遍性,但其在阿尔泰-克治人婚礼仪式中的表现形式和意义却具有独特性,这与布尔汗主义的思想是一致的,并有其适应阿尔泰部落社会的历史因素和民族自白因素作解释。
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Cultural and semiotic codes of Burkhanist wedding rites of the Altai-Kizhi
The Altai-Kizhi, as the central group of the Altaians, the titular ethnic group in the Republic of Altai, are the guardians of Burkhanism. Burkhanism refers to a belief system that emerged at the beginning of the 20th century as a “reformed” version of shamanism. In Soviet times, forbidden Burkhanism preserved in the intra-ethnic ritual culture, and in the post-Soviet period it began to revive. The purpose of the article is to identify Burkhanist con-cepts in the cultural and semiotic wedding codes. The material for the study was author’s own field accounts of 2020–2022, collected by the method of participant observation and interviewing informants, as well as archival records of A.V. Anokhin, an antiquarian of the early 20th century. When analyzing the source base, a comparative method of research was used. The bride’s transition into a category of married women occurs through the rite of changing the maiden hairstyle for two braids with a parting, and introducing her to the groom's ancestral hearth by ‘treating’ the fire with oil. In the ritual actions of the participants, the Burkhanist attitude towards ‘the positive’ and the observance of the custom of ‘bay’ are encoded. For the first time, on the basis of the collected material, an anthropomorphic code of the ritual practice of the wedding has been identified, associated with the key idea of Burkhanism - the veneration of Altai-deity, the upper heavenly world that provides earthly life. The temporal code of the ritual actions corresponds to the Burkhanist rule — the period of the new moon and morning is a ‘favorable’ time for proposal and marriage. The spatial code of the wedding ceremonies accounts for the contraposition of ‘east-west’, ‘right-left’, and ‘male-female’. The actional code consists in performing the ritual ‘posolon’ actions and an even number of times according to the Burkhanist symbolism. The object code involves sacred attributes — a whip, a gun, a sheath for opening bride's curtain, juniper, and dairy products for ‘feeding’ the hearth fire. The color code of the wedding is in observance of light symbols — bride's curtain, milk, and sacrificial ribbons. The verbal code is realized in the ritual texts of good wishes and songs. The character code is contained in the composition and role of the sex and age groups: elders as experts in the ritual; maternal uncles-taay and nephews of the bride and groom, whose participation means social recognition and approval of the marriage. The analysis of the wed-ding ritual actions reveals the ‘stringing’ of one code upon another, which enhances the significance of the ritual. One and the same ritual meaning can be expressed by means of different codes and by several of them simulta-neously. Despite the fact that the ritual codes are universal, their manifestation and significance in the wedding rituals of the Altai-Kizhi are unique, which is in accordance with the ideas of Burkhanism and is explained by the historical and ethno-confessional factors of the adaptation of the Altaian tribal society.
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来源期刊
Vestnik Archeologii, Antropologii i Etnografii
Vestnik Archeologii, Antropologii i Etnografii Arts and Humanities-Archeology (arts and humanities)
CiteScore
0.70
自引率
0.00%
发文量
60
审稿时长
16 weeks
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