{"title":"Forner vs Laviano: Marcial letter in the语境(1783年对Copleros的学术回应)。","authors":"Alberto Escalante Varona","doi":"10.12795/ph.2019.v33.i02.05","DOIUrl":null,"url":null,"abstract":"In this paper, we edit and comment the Carta de M. V. Marcial a Don Manuel Fermin de Laviano , a satire written by Juan Pablo Forner. First, we read the text in its context: the development of the theatrical career of Manuel Fermin de Laviano between 1779 and 1783 and the regal celebrations of August and September 1783. Second, we edit the Carta , after we have compared its two manuscript testimonies. Third, we comment this text as a result of an erudite answer of rejection against the strategies of self-representation as an author made by Laviano, in order to expose himself as a cultured writer. At last, we focus on the relevance of this Carta as a testimony of the Spanish literary controversies from XVIIIth century, which are characterized by the neoclassical paradigm that rules over the writing process as an access to the cultured literary circles.","PeriodicalId":36202,"journal":{"name":"Philologia Hispalensis","volume":"2013 1","pages":""},"PeriodicalIF":0.0000,"publicationDate":"2019-12-23","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Forner contra Laviano: la Carta de Marcial en su contexto (la respuesta erudita a los “Copleros” de 1783).\",\"authors\":\"Alberto Escalante Varona\",\"doi\":\"10.12795/ph.2019.v33.i02.05\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"In this paper, we edit and comment the Carta de M. V. Marcial a Don Manuel Fermin de Laviano , a satire written by Juan Pablo Forner. First, we read the text in its context: the development of the theatrical career of Manuel Fermin de Laviano between 1779 and 1783 and the regal celebrations of August and September 1783. Second, we edit the Carta , after we have compared its two manuscript testimonies. Third, we comment this text as a result of an erudite answer of rejection against the strategies of self-representation as an author made by Laviano, in order to expose himself as a cultured writer. At last, we focus on the relevance of this Carta as a testimony of the Spanish literary controversies from XVIIIth century, which are characterized by the neoclassical paradigm that rules over the writing process as an access to the cultured literary circles.\",\"PeriodicalId\":36202,\"journal\":{\"name\":\"Philologia Hispalensis\",\"volume\":\"2013 1\",\"pages\":\"\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2019-12-23\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Philologia Hispalensis\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.12795/ph.2019.v33.i02.05\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"Q4\",\"JCRName\":\"Arts and Humanities\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Philologia Hispalensis","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.12795/ph.2019.v33.i02.05","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"Q4","JCRName":"Arts and Humanities","Score":null,"Total":0}
引用次数: 0
摘要
本文对胡安·巴勃罗·弗纳的讽刺小说《马西亚尔和唐·曼努埃尔·费尔明·德·拉维亚诺的Carta》进行了编辑和评析。首先,我们在上下文中阅读文本:Manuel Fermin de Laviano在1779年至1783年间戏剧生涯的发展以及1783年8月和9月的王室庆祝活动。其次,我们在比较了两份手稿的证词之后,编辑了《宪章》。第三,我们对这篇文章的评论是对拉维亚诺作为作家的自我表现策略的一种博学的回答,以揭示他作为一个有文化的作家的身份。最后,我们将重点放在《宪章》作为18世纪西班牙文学争论的证据的相关性上,这些争论的特征是新古典主义范式,这种范式统治了作为进入文化文学界的写作过程。
Forner contra Laviano: la Carta de Marcial en su contexto (la respuesta erudita a los “Copleros” de 1783).
In this paper, we edit and comment the Carta de M. V. Marcial a Don Manuel Fermin de Laviano , a satire written by Juan Pablo Forner. First, we read the text in its context: the development of the theatrical career of Manuel Fermin de Laviano between 1779 and 1783 and the regal celebrations of August and September 1783. Second, we edit the Carta , after we have compared its two manuscript testimonies. Third, we comment this text as a result of an erudite answer of rejection against the strategies of self-representation as an author made by Laviano, in order to expose himself as a cultured writer. At last, we focus on the relevance of this Carta as a testimony of the Spanish literary controversies from XVIIIth century, which are characterized by the neoclassical paradigm that rules over the writing process as an access to the cultured literary circles.