我不想死:朋克摇滚音乐和文化作为关键的社会工作实践

IF 1.4 Q2 SOCIAL WORK Critical and Radical Social Work Pub Date : 2023-01-31 DOI:10.22329/csw.v24i1.7854
Paddy Farr
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引用次数: 0

摘要

朋克是一种音乐流派和反主流文化,它为一代又一代受创伤的年轻人提供了社区和力量。这篇文章是一个案例研究使用朋克摇滚反文化通过音乐的表达作为一个关键的社会工作实践在精神病门诊诊所。这家名为莱恩县行为健康的诊所成立于精神科护理去机构化时代,用于治疗“严重和持续的精神疾病”。这篇文章描述了小组的形成,治疗师与小组成员分享的个人和文化历史,以及通过朋克音乐的创作产生的精神暴力的批判性参与。在此,提供了四首歌曲的创作过程和抒情内容。这四首歌中的每一首都展示了精神科暴力的个人经历与反对精神科暴力的政治抗议之间的联系。虽然本文关注的是朋克在精神病诊所的体验,但关系和个人政治体验的实施适用于朋克反文化之外。文章最后讨论了在紧密结合的反文化团体中实施关系分析小组的方法。
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I Don’t Wanna Die: Punk Rock Music and Culture as Critical Social Work Practice
Punk is a music genre and counter-culture that has provided community and empowerment to generations of traumatized youth. This article is a case study on the use of punk rock counter-culture through the expression of music as a critical social work practice within a psychiatric outpatient clinic. The clinic, Lane County Behavioral Health, was founded during the deinstitutionalization era of psychiatric care for the treatment of “severe and persistent mental illness.” The article describes the formation of the group, the shared personal and cultural history of the therapist with group members, and the critical engagement with psychiatric violence generated through the composition of punk music. In this, the process of composition and the lyrical content of four songs are provided. Each of these four songs demonstrate a connection of the personal experiences of psychiatric violence to a political protest against psychiatric violence. While the article focuses on the experience of punks in the psychiatric clinic, the implementation of relationality and personal-political experience are applicable beyond the punk counter-culture. The article concludes with discussion elaborating ways in which a relational analytic group can be implemented within tight knit counter-cultural communities.
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来源期刊
CiteScore
1.80
自引率
25.00%
发文量
52
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