{"title":"悼念大逃亡的亡者:战俘,悲痛,以及战俘营的纪念库","authors":"Kristen Alexander, Kate Ariotti","doi":"10.1080/17526272.2022.2097774","DOIUrl":null,"url":null,"abstract":"In March 1944 seventy-six Allied prisoners of war escaped from Stalag Luft III. Nearly all were recaptured; fifty were later shot. This article examines what happened in the period between recapture and the interment of the dead prisoners' cremated remains at Stalag Luft III. It positions what came to be known as ‘the Great Escape’ as an event of deep emotional resonance for those who grieved and reveals the dual narrative they constructed to make sense of their comrades’ deaths. In discussing the iconography of the vault constructed by the camp community to house the dead POWs’ ashes, this article also suggests a dissonance in meaning between that arising from personal, familial grief and the Imperial War Graves Commission’s standardised memorial practice. Focusing on the Great Escape’s immediate aftermath from the perspective of the POWs themselves provides a more nuanced understanding of the emotional impact of this infamous event.","PeriodicalId":42946,"journal":{"name":"Journal of War & Culture Studies","volume":null,"pages":null},"PeriodicalIF":0.5000,"publicationDate":"2022-07-09","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Mourning the Dead of the Great Escape: POWs, Grief, and the Memorial Vault of Stalag Luft III\",\"authors\":\"Kristen Alexander, Kate Ariotti\",\"doi\":\"10.1080/17526272.2022.2097774\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"In March 1944 seventy-six Allied prisoners of war escaped from Stalag Luft III. Nearly all were recaptured; fifty were later shot. This article examines what happened in the period between recapture and the interment of the dead prisoners' cremated remains at Stalag Luft III. It positions what came to be known as ‘the Great Escape’ as an event of deep emotional resonance for those who grieved and reveals the dual narrative they constructed to make sense of their comrades’ deaths. In discussing the iconography of the vault constructed by the camp community to house the dead POWs’ ashes, this article also suggests a dissonance in meaning between that arising from personal, familial grief and the Imperial War Graves Commission’s standardised memorial practice. Focusing on the Great Escape’s immediate aftermath from the perspective of the POWs themselves provides a more nuanced understanding of the emotional impact of this infamous event.\",\"PeriodicalId\":42946,\"journal\":{\"name\":\"Journal of War & Culture Studies\",\"volume\":null,\"pages\":null},\"PeriodicalIF\":0.5000,\"publicationDate\":\"2022-07-09\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Journal of War & Culture Studies\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1080/17526272.2022.2097774\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"Q3\",\"JCRName\":\"CULTURAL STUDIES\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Journal of War & Culture Studies","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1080/17526272.2022.2097774","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"Q3","JCRName":"CULTURAL STUDIES","Score":null,"Total":0}
Mourning the Dead of the Great Escape: POWs, Grief, and the Memorial Vault of Stalag Luft III
In March 1944 seventy-six Allied prisoners of war escaped from Stalag Luft III. Nearly all were recaptured; fifty were later shot. This article examines what happened in the period between recapture and the interment of the dead prisoners' cremated remains at Stalag Luft III. It positions what came to be known as ‘the Great Escape’ as an event of deep emotional resonance for those who grieved and reveals the dual narrative they constructed to make sense of their comrades’ deaths. In discussing the iconography of the vault constructed by the camp community to house the dead POWs’ ashes, this article also suggests a dissonance in meaning between that arising from personal, familial grief and the Imperial War Graves Commission’s standardised memorial practice. Focusing on the Great Escape’s immediate aftermath from the perspective of the POWs themselves provides a more nuanced understanding of the emotional impact of this infamous event.