飞行地理:菲利斯·惠特利到奥克塔维亚·巴特勒。威廉·梅里尔·德克尔

IF 0.3 3区 文学 0 LITERATURE, AMERICAN MELUS Pub Date : 2022-05-12 DOI:10.1093/melus/mlac026
M. R. Hall
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引用次数: 0

摘要

探讨了散居海外的非洲作家的多样化和(主要是)第一人称叙述,这些叙述展望了战前和战后各种形式的囚禁,包括地理和社会流动的障碍。这本书侧重于叙述,同时也展示了这些作品如何“在作者和读者之间创造了一种铭刻的(空间和社会的)融洽关系”,这本身就是一种动态的、修正主义的映射。德克尔的多体体学研究详细描述了“逃亡奴隶叙事及其后裔、后奴隶和新奴隶叙事的地理位置”(1),他认为,以欧洲为中心的白人文学传统将新世界地形描绘成自由阅读的开放空间,而非裔美国人的作品往往将同样的新世界地形描绘成一系列既不安全又不受欢迎的陷阱。德克尔对这种陷阱的压迫效果提出了挑战,他认为散居海外的非洲作家的第一人称作品“不仅反映了囚禁、约束和压迫的轮廓”,而且暗示了一个“从第一人称代词开始的重塑世界”
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Geographies of Flight: Phyllis Wheatley to Octavia Butler. William Merrill Decker
explores diverse and (predominately) first-person narrative accounts by African diaspora authors that foreground various forms of antebellum and postbellum captivity, including barriers to geographical and social mobility. The book focuses on narrative accounts while also demonstrating how “the inscribed rapport (spa-tial and social)” that such writings create “between author and reader is itself an occasion of dynamic and revisionist mapping.” A multi-genre study detailing “the geographies of the fugitive slave narrative and its descendants, the postslave and neo-slave narrative” (1), Decker argues that while a white Eurocentric literary tra-dition represents New World topography as open space free to peruse, writings by African Americans often portray that same New World topography as a series of traps both unsafe and unwelcoming. Challenging the oppressive effects of such entrapments, Decker contends that first-person writings of African diaspora authors “do more than reflect contours of captivity, constraint, and oppression” but suggest a “reinvented world proceeding from the first-person pronoun” (2). analysis the of
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来源期刊
MELUS
MELUS LITERATURE, AMERICAN-
CiteScore
0.40
自引率
50.00%
发文量
59
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