世界历史中的俄罗斯:崔查特吉的跨国视角(评论)

Alessandro Stanziani
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引用次数: 0

摘要

在苏联帝国崩溃后,西方许多人似乎认为历史已经走到了尽头,自由民主和资本主义是人类的未来。一些人甚至浪漫地玩弄着“一个没有俄罗斯的世界”的想法。然而,最近发生在乌克兰的悲剧提醒了所有人,1991年欢欣鼓舞地宣布苏联帝国灭亡是一个不成熟的举动。正如崔·查特吉(Choi Chatterjee)所写的那样,“崩溃的帝国是危险的地方,在他们的身后留下了危险的漩涡和浅滩”(第145页)。对于那些想要了解俄罗斯在世界上持续存在的重要性的人来说,查特吉的书似乎是一本及时的读物。然而,这本书并不是关于俄罗斯几个世纪以来的智力和文化成就,它对人类和现代世界的文明贡献,或者它在世界大国舞台上的“生存斗争”,而是关于19世纪和20世纪英国和俄罗斯帝国主义的比较历史,以及这两个霸权帝国的后世。从这个意义上说,这本书的标题并没有完全捕捉到这本书结构的比较维度。这本书的亮点在于其比较传记的方法与结构分析相结合。全书共七章,每一章都是按时间顺序排列的,并置了一对来自英国和俄罗斯/苏联帝国中心或边缘的人物,并将主人公的生活和思想置于更广阔的历史背景中。查特吉在选择演员阵容时遵循了三个原则。首先,人物必须“举例说明一个重要的历史事件或过程,以区分其起源帝国”,并“提供重要的时代洞察力”(P. 9)。其次,人物的传记应该表现出复杂性,甚至是矛盾性和道德模糊性。第三,这些字符将表示vi-
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Russia in World History: A Transnational Approach by Choi Chatterjee (review)
After the collapse of the Soviet Empire, it seemed to many in the West that history had reached its end and liberal democracy and capitalism were the future of mankind. Some even romantically toyed with the idea of “a world without Russia.”1 However, the recent tragedy in Ukraine has reminded everyone that the euphoric announcement of the death of the Soviet Empire in 1991 was a premature move. As Choi Chatterjee beautifully puts it, “Collapsing empires are dangerous places that leave treacherous eddies and shoals in their wake” (P. 145). Chatterjee’s book appears to be a timely read for anyone who seeks to understand Russia’s continuing relevance in the world. Yet this is not a book about Russia’s intellectual and cultural achievements throughout centuries, its civilizational contribution to mankind and the modern world, or its “struggle for survival” in the world arena of Great Powers.2 Rather, it is a comparative history of British and Russian imperialisms in the nineteenth and twentieth centuries as well as the afterlives of these two hegemonic empires. In this sense, the title of the book does not fully capture the comparative dimension of the book’s structure. The highlight of the book is its comparative biographical approach coupled with structural analysis. Each of the seven chapters, arranged chronologically, juxtaposes a pair of characters from either the center or the periphery of the British and the Russian/Soviet Empires and situates the protagonists’ lives and their ideas in the broader historical context. Chatterjee has followed three principles in her selection of the cast of characters. First, the characters have to “exemplify an important historical event or process that distinguished the empire of their origin” and “provide important insight into the era” (P. 9). Second, the characters’ biographies should demonstrate complexity, even contradictions and moral ambiguity in their thinking over time. Third, the characters would represent vi-
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