隈研吾木结构立面

Nikola Cekić
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摘要

隈研吾(kenengo Kuma, 1954年生于日本神奈川),日本建筑师,东京大学教授。在世界范围内实现了大量的城市建筑结构,特别是在本世纪的第二个十年,强调在立面上使用木质材料。本文中的建筑实例展示了设计师对自然、环保材料的持续使用的一种非凡的清晰和选择,这种材料的木质元素的纹理提供了有效的美学构成和手工艺术、吸引人的建筑效果。多次重复使用的木材元素创造了优雅的网格,巨大的,和谐的立面网络与新的手工制作形式,没有使用螺栓,钉子或胶水连接它们。通过使用容易获得的资源——木质材料,这位著名建筑师的最终目标是“抹去”已经看到的建筑,即将新的非标准化和非刻板的结构有机地、富有想象力地融入自然环境。立面由移动的多重木制元素创造,以不同的节奏,沿着垂直和水平的线条,唤起空间叙事,微妙的视觉感觉,因此物质和与建筑传统的密切关系是最重要的。本文重点介绍了利用当代计算机技术,以新的设计艺术和视觉方法来表现外墙文化的“木质建筑”的高级生态建筑。
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WOODEN STRUCTURES IN KENGO KUMA FACADES
Kengo Kuma (born 1954 in Kanagawa, Japan) is a Japanese architect and professor at the University of Tokyo. Realized a large number of urbarchitectonic structures worldwide, especially in the second decade of this century, emphasizing use of wooden materials in the facades. The examples of buildings in this paper demonstrate an extraordinary lucidity and opting of the designer for continuous use of the natural, environment-friendly material whose texture of wooden elements provides effective esthetic-composition and artisanal-artistic, attractive archisculptural results. The pronounced use of many times repeated timber elements created elegant latticework gigantic, harmonic façade network with new hand-made forms, without using bolts, nails or glue to join them. By using the easily available resource - wooden material, the famous architect’s end goal is „effacing” of the already seen architecture, i.e. façade of the new non-standardized and non-stereotypical structures of organically, imaginatively well integrated into the natural environment. Facades created by moving multiplied wooden elements, in a varied rhythm, along the vertical and horizontal lines, evoke a spatial narration, subtle visual sensations, whereby materiality and close rapport with the building tradition is of primary importance. In the paper, the attention is focused on the advanced ecourbarchitecture of “building with wooden material” using the contemporary computer technologies, with new designing artistic and visual approach to the culture of walls in the exterior.
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