Virgin Forest and the “Intrusion” of Gaïa: ecomusicological questions, relational listening, and the music of Lionel Loueke of Benin

ABSTRACT The recent emergence of the subfield of ecomusicology has raised provocative questions about theory and method in music studies, as well as relationships between sound, humans, and the environment. This paper responds to these questions through an examination of two albums by the Beninese guitarist Lionel Loueke, informed by ethnographic interviews with Loueke and fieldwork in Benin and the U.S. Each of the two albums deals with a distinct set of musical materials and strategies to convey their respective ecological orientations. The album Virgin Forest does this through creating ambient atmospheres that blur the lines between human and animal sound, while the second album, Gaïa, deploys guitar distortion and “out-of-joint” grooves to channel an angry earth goddess. This analysis explores connections between the albums and concepts of sacred sound and interdependence in the Nichiren Buddhist practice that Loueke has adopted, and in vodun ancestral practices in Benin. I propose a concept of relational listening, building on Edouard Glissant’s la Relation and Steven Feld’s acoustemology, which embraces humans’ interdependence with the environment while respecting the radical alterity of other beings, including human, non-human, and more-than-human. Loueke’s music suggests that this relational listening necessarily leads to relational sounding: interactive improvisation.