{"title":"Francesco Lumachi:对20世纪早期佛罗伦萨图书出版商传记的贡献","authors":"G. Grifoni","doi":"10.6092/ISSN.2283-9364/13071","DOIUrl":null,"url":null,"abstract":"Francesco Lumachi, the small Florentine bookseller who made his debut on the Italian publishing scene in 1900, despite belonging to an entrepreneurial reality, that of booksellers-publishers, anchored more to the past than to the future, is considered to have inaugurated, together with the new century, the modern book. With intuition and audacity, he was the first to contribute to the notoriety of authors destined to impose themselves on the culturalscene for their innovative qualities, and with refined aesthetic taste he published volumes of typographical elegance and sometimes also of unconventional form. As a true “friend of books”, as he liked to define himself, he was also the storyteller of amusing bibliographical stories. A multifaceted figure who always remained shrouded in mystery, due to his shy and modest nature, his brief professional career with dramatic results, and the probable loss ofhis personal and work papers. In an attempt to fill the biographical gap, this contribution presents the results of archival research that, for the first time,digs into Francesco Lumachi’s family roots and his schooling, a background from which unpublished elements emerge and, at the same time, a range of questions susceptible to further investigation, together with personality traits that find points of contact in editorial and existential choices, such as inconsistencies and fascinations that can be justified by the historical context of reference. The work also avails itself of an iconographic collection, also partly unpublished, as evidence and proof of the topics dealt with.","PeriodicalId":37107,"journal":{"name":"Bibliothecae.it","volume":"34 1","pages":"273-312"},"PeriodicalIF":0.0000,"publicationDate":"2021-07-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Francesco Lumachi: contributo alla biografia di un libraio editore fiorentino d’inizio Novecento\",\"authors\":\"G. Grifoni\",\"doi\":\"10.6092/ISSN.2283-9364/13071\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"Francesco Lumachi, the small Florentine bookseller who made his debut on the Italian publishing scene in 1900, despite belonging to an entrepreneurial reality, that of booksellers-publishers, anchored more to the past than to the future, is considered to have inaugurated, together with the new century, the modern book. With intuition and audacity, he was the first to contribute to the notoriety of authors destined to impose themselves on the culturalscene for their innovative qualities, and with refined aesthetic taste he published volumes of typographical elegance and sometimes also of unconventional form. As a true “friend of books”, as he liked to define himself, he was also the storyteller of amusing bibliographical stories. A multifaceted figure who always remained shrouded in mystery, due to his shy and modest nature, his brief professional career with dramatic results, and the probable loss ofhis personal and work papers. In an attempt to fill the biographical gap, this contribution presents the results of archival research that, for the first time,digs into Francesco Lumachi’s family roots and his schooling, a background from which unpublished elements emerge and, at the same time, a range of questions susceptible to further investigation, together with personality traits that find points of contact in editorial and existential choices, such as inconsistencies and fascinations that can be justified by the historical context of reference. The work also avails itself of an iconographic collection, also partly unpublished, as evidence and proof of the topics dealt with.\",\"PeriodicalId\":37107,\"journal\":{\"name\":\"Bibliothecae.it\",\"volume\":\"34 1\",\"pages\":\"273-312\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2021-07-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Bibliothecae.it\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.6092/ISSN.2283-9364/13071\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"Q3\",\"JCRName\":\"Arts and Humanities\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Bibliothecae.it","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.6092/ISSN.2283-9364/13071","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"Q3","JCRName":"Arts and Humanities","Score":null,"Total":0}
Francesco Lumachi: contributo alla biografia di un libraio editore fiorentino d’inizio Novecento
Francesco Lumachi, the small Florentine bookseller who made his debut on the Italian publishing scene in 1900, despite belonging to an entrepreneurial reality, that of booksellers-publishers, anchored more to the past than to the future, is considered to have inaugurated, together with the new century, the modern book. With intuition and audacity, he was the first to contribute to the notoriety of authors destined to impose themselves on the culturalscene for their innovative qualities, and with refined aesthetic taste he published volumes of typographical elegance and sometimes also of unconventional form. As a true “friend of books”, as he liked to define himself, he was also the storyteller of amusing bibliographical stories. A multifaceted figure who always remained shrouded in mystery, due to his shy and modest nature, his brief professional career with dramatic results, and the probable loss ofhis personal and work papers. In an attempt to fill the biographical gap, this contribution presents the results of archival research that, for the first time,digs into Francesco Lumachi’s family roots and his schooling, a background from which unpublished elements emerge and, at the same time, a range of questions susceptible to further investigation, together with personality traits that find points of contact in editorial and existential choices, such as inconsistencies and fascinations that can be justified by the historical context of reference. The work also avails itself of an iconographic collection, also partly unpublished, as evidence and proof of the topics dealt with.