动乱时期的民族志艺术

IF 0.3 4区 社会学 Q4 ANTHROPOLOGY Aibr-Revista De Antropologia Iberoamericana Pub Date : 2021-01-01 DOI:10.11156/aibr.160102e
P. Stoller
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引用次数: 0

摘要

我们长期以来的许多方法和代表性的外延惯例不再与当代社会、政治、环境和经济功能失调的状态相协调。在纷乱的世界中,我们如何创造一种超越学术交流的表现?我们怎样才能创造“故事”,把人们粘合在一起,从而与他们建立联系?这是《民族志的艺术》中的基本问题,这个想法始于莫里斯·梅洛-庞蒂(Maurice merlo - ponty)的论文《眼睛与心灵》(Eye and Mind)。这件作品表明,艺术作品是通往具体化启蒙的途径,它可以使我们实践迈克尔·杰克逊所说的“生活的艺术”。这是几个方面的结果。例如,空间和地点,这是鲜活的记忆,或对话,这是一个窗口,了解人物的个性,因为它定义了我们研究的人,使他们与众不同。这是一个混乱的时刻,但也是一个适应我们的表现模式的时刻,也是一个发展民族志艺术的机会。
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The Art of Ethnography in Troubled Times
Many of our longstanding set of methods and denotative conventions of representation are no longer in harmony with the state of contemporary social, political, environmental and economic dysfunction. How can we create a representation that goes beyond the academic communication in a troubled world? How can we create “stories”, which work as the glue that holds people together, in order to connect with them? This is the basic question in the Art of Ethnography, an idea that begins with Maurice Merleau-Ponty’s, in his essay Eye and Mind. This piece suggests that the work of art is a pathway to an embodied enlightenment that can enable us to practice what Michael Jackson has called “the art of life”. It is the result of several aspects. For example, space and place, which are alive with memory, or dialogue, which is a window into personality of the characters, since it defines the people we study and makes them particular. This is a moment of troubled times, but also a moment of adaptation to our modes of representation, and an opportunity to develop the Art of Ethnography.
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来源期刊
CiteScore
0.70
自引率
0.00%
发文量
1
审稿时长
32 weeks
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