{"title":"重读黑色:美国女性的冷战犯罪小说与抗拒的读者","authors":"Erin Smith","doi":"10.5325/reception.13.1.0093","DOIUrl":null,"url":null,"abstract":"abstract:This article considers Judith Fetterley’s The Resisting Reader in relation to the author’s current research on Cold-War American women’s crime fiction. The dominant critical framework about this fiction from the 1940s, 1950s, and 1960s is noir, a masculinist genre about male loners / outsiders that often embraces a cynical or nihilistic worldview. Many of these books objectify women and feature a spider woman or femme fatale, who is punished for her pursuit of self-interest and use of her sexuality to attain power. The lesser-known female crime writers of the period were–in many ways–resisting readers of this tradition. Their re-readings and rewritings often privileged community and connection over isolation and offered more complicated female characters. The author uses the case of Charlotte Armstrong’s A Dram of Poison (1956) to make this case.","PeriodicalId":40584,"journal":{"name":"Reception-Texts Readers Audiences History","volume":null,"pages":null},"PeriodicalIF":0.1000,"publicationDate":"2021-07-10","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Re-reading Noir: American Women’s Cold-War Crime Fiction and The Resisting Reader\",\"authors\":\"Erin Smith\",\"doi\":\"10.5325/reception.13.1.0093\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"abstract:This article considers Judith Fetterley’s The Resisting Reader in relation to the author’s current research on Cold-War American women’s crime fiction. The dominant critical framework about this fiction from the 1940s, 1950s, and 1960s is noir, a masculinist genre about male loners / outsiders that often embraces a cynical or nihilistic worldview. Many of these books objectify women and feature a spider woman or femme fatale, who is punished for her pursuit of self-interest and use of her sexuality to attain power. The lesser-known female crime writers of the period were–in many ways–resisting readers of this tradition. Their re-readings and rewritings often privileged community and connection over isolation and offered more complicated female characters. The author uses the case of Charlotte Armstrong’s A Dram of Poison (1956) to make this case.\",\"PeriodicalId\":40584,\"journal\":{\"name\":\"Reception-Texts Readers Audiences History\",\"volume\":null,\"pages\":null},\"PeriodicalIF\":0.1000,\"publicationDate\":\"2021-07-10\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Reception-Texts Readers Audiences History\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.5325/reception.13.1.0093\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"HUMANITIES, MULTIDISCIPLINARY\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Reception-Texts Readers Audiences History","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.5325/reception.13.1.0093","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"HUMANITIES, MULTIDISCIPLINARY","Score":null,"Total":0}
Re-reading Noir: American Women’s Cold-War Crime Fiction and The Resisting Reader
abstract:This article considers Judith Fetterley’s The Resisting Reader in relation to the author’s current research on Cold-War American women’s crime fiction. The dominant critical framework about this fiction from the 1940s, 1950s, and 1960s is noir, a masculinist genre about male loners / outsiders that often embraces a cynical or nihilistic worldview. Many of these books objectify women and feature a spider woman or femme fatale, who is punished for her pursuit of self-interest and use of her sexuality to attain power. The lesser-known female crime writers of the period were–in many ways–resisting readers of this tradition. Their re-readings and rewritings often privileged community and connection over isolation and offered more complicated female characters. The author uses the case of Charlotte Armstrong’s A Dram of Poison (1956) to make this case.
期刊介绍:
Reception: Texts, Readers, Audiences, History is a scholarly, peer-reviewed journal published once a year. It seeks to promote dialog and discussion among scholars engaged in theoretical and practical analyses in several related fields: reader-response criticism and pedagogy, reception study, history of reading and the book, audience and communication studies, institutional studies and histories, as well as interpretive strategies related to feminism, race and ethnicity, gender and sexuality, and postcolonial studies, focusing mainly but not exclusively on the literature, culture, and media of England and the United States.