野外量化观众体验:在影院开发和部署生物传感器基础设施的启发式方法

Chen Wang, J. Wong, Xintong Zhu, Thomas Röggla, Jack Jansen, Pablo César
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引用次数: 9

摘要

在当今时代的“体验经济”中,衡量艺术活动观众的体验是必不可少的,但这是一项艰巨的任务。这些信息的价值超越了评估艺术的影响,因为它可以提供洞察力和反馈,以提高艺术家的工作和其他观众的体验。通过深入了解艺术提供者和消费者的需求,我们逐步开发了一种部署在剧院的生物传感器基础设施。多年来,我们发现了与在战区开发和部署生物传感器基础设施相关的挑战和问题。这些集体经验和确定的问题被分为三个主要领域:过程、数据和系统。在三个主要领域共开发了七个启发式。流程将利益相关者和受众置于研究的核心;数据为数据有效性提供指导,采集多种数据,支持实时数据采集;系统涵盖了基础设施的并发性、可伸缩性、部署和反馈。我们相信,这组启发式构成了一个足够的基础设施,以衡量观众在野外的体验,它是一个有价值的指导来源,为未来的工作。
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Quantifying audience experience in the wild: Heuristics for developing and deploying a biosensor infrastructure in theaters
Measuring the experience of audience of arts events is essential in the “experience economy” of this day and age, but it is a difficult task. The value of such information goes beyond evaluating the impact of the arts, as it can provide insights and feedback to enhance the work of artists and the experiences of other audience members. Through in-depth understanding of the needs of the providers and consumers of the arts, we progressively developed a biosensor infrastructure that was deployed in theaters. Over the years, we identified the challenges and issues related to developing and deploying a biosensor infrastructure in theaters. These collective experiences and identified issues were categorized into three main areas: processes, data, and system. A total of seven heuristics are developed across the three main areas. Processes place the stakeholders and audiences at the core of the research; data provides guidelines for data validity, collecting a variety of data, and supporting real-time data gathering; and systems covers the concurrency, scalability, deployment and feedback of the infrastructure. We believe that this set of heuristics forms the foundation for an adequate infrastructure to measure audience experience in the wild and it is a valuable source of guideline for future work.
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