金融末世论与杠杆的利比多经济

IF 2.7 2区 社会学 Q1 CULTURAL STUDIES Theory Culture & Society Pub Date : 2022-03-12 DOI:10.1177/02632764211070805
Amin Samman, Stefano Sgambati
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引用次数: 3

摘要

启示录思想有着悠久的宗教和政治传统,但它在当代资本主义的时间宇宙中占据什么位置?在这篇文章中,我们使用末世的形象来描绘未来的负荷和模糊的特征,因为它通过债务的条件出现。这就需要背离资本主义未来的政治经济学解释,后者强调金融投机的结构逻辑,而支持一种以货币和债务的宇宙论为起点的存在主义解释。我们认为,金融资本对未来的执着产生了一种非常特殊的末世想象形式,这是金融社会的特征,并建立在杠杆经济的利比多主义基础上。金融末世论没有为全球金融化进程提供一个令人欣喜的结局,而是将当代主体与债务和负债联系在一起,直到最后:以金融本身的终结为前提的无休止的末日。
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Financial Eschatology and the Libidinal Economy of Leverage
Apocalyptic thinking has a long religious and political tradition, but what place does it occupy within the temporal universe of contemporary capitalism? In this essay, we use the figure of the eschaton to draw out the loaded and ambiguous character of the future as it emerges through the condition of indebtedness. This entails a departure from political economy accounts of capitalist futurity, which stress the structural logic of financial speculation, in favour of an existential account that begins instead with the cosmology of money and debt. We argue that finance capital’s fixation on the future has produced a very specific form of apocalyptic imagination, characteristic of financial society and built on a libidinal economy of leverage. Rather than offering an ecstatic end to the global process of financialization, financial eschatologies bind the contemporary subject to debt and indebtedness to the very end: an endless apocalypse, premised on the ends of finance itself.
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来源期刊
CiteScore
4.20
自引率
5.90%
发文量
35
期刊介绍: Theory, Culture & Society is a highly ranked, high impact factor, rigorously peer reviewed journal that publishes original research and review articles in the social and cultural sciences. Launched in 1982 to cater for the resurgence of interest in culture within contemporary social science, Theory, Culture & Society provides a forum for articles which theorize the relationship between culture and society. Theory, Culture & Society is at the cutting edge of recent developments in social and cultural theory. The journal has helped to break down some of the disciplinary barriers between the humanities and the social sciences by opening up a wide range of new questions in cultural theory.
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