Mayu Ueda, Masashi Nakamura, A. Kitamori, K. Komatsu
{"title":"五种干燥条件下杉木(Cryptomeria japonica)细微颜色测定ⅱ。","authors":"Mayu Ueda, Masashi Nakamura, A. Kitamori, K. Komatsu","doi":"10.2488/JWRS.59.339","DOIUrl":null,"url":null,"abstract":"Warm color of wood is a very important design factor for building materials, furniture, and so on. Therefore, color measurements for the surfaces of timber and wood products are often performed using a colorimeter. However, most of such color data are mean values inside a confined measurement area, and these values are entirely compared and evaluated based on L, a, b and ΔE values. In the present study, surface colors of sugi timbers (Cryptomeria japonica) dried by five different conditions were measured using an imaging spectrometer, and surface colors of 4 parts (heartwood-latewood, heartwood-earlywood, sapwood-latewood, and sapwood-earlywood) were examined for each drying condition based on the three color attributes (lightness L, chroma C, and hue angle H °). The color analysis revealed very clear linear relations between H ° and L regardless of drying conditions. Although the surface colors of the 4 parts were clearly distinguished from each other in the air-drying condition, the range of hue angle became narrow as the drying conditions became more severe and it was difficult to distinguish the two parts of heartwood-earlywood and sapwood-latewood by their colors. Originally bright surfaces such as the sapwood-earlywood part selectively darkened (lower lightness) and deepened (higher chroma) by the kiln drying.","PeriodicalId":17248,"journal":{"name":"Journal of the Japan Wood Research Society","volume":null,"pages":null},"PeriodicalIF":0.0000,"publicationDate":"2013-11-25","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"1","resultStr":"{\"title\":\"Minute Color Measurement of Sugi Timber (Cryptomeria japonica) Dried by Five Conditions II.\",\"authors\":\"Mayu Ueda, Masashi Nakamura, A. Kitamori, K. Komatsu\",\"doi\":\"10.2488/JWRS.59.339\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"Warm color of wood is a very important design factor for building materials, furniture, and so on. Therefore, color measurements for the surfaces of timber and wood products are often performed using a colorimeter. However, most of such color data are mean values inside a confined measurement area, and these values are entirely compared and evaluated based on L, a, b and ΔE values. In the present study, surface colors of sugi timbers (Cryptomeria japonica) dried by five different conditions were measured using an imaging spectrometer, and surface colors of 4 parts (heartwood-latewood, heartwood-earlywood, sapwood-latewood, and sapwood-earlywood) were examined for each drying condition based on the three color attributes (lightness L, chroma C, and hue angle H °). The color analysis revealed very clear linear relations between H ° and L regardless of drying conditions. Although the surface colors of the 4 parts were clearly distinguished from each other in the air-drying condition, the range of hue angle became narrow as the drying conditions became more severe and it was difficult to distinguish the two parts of heartwood-earlywood and sapwood-latewood by their colors. Originally bright surfaces such as the sapwood-earlywood part selectively darkened (lower lightness) and deepened (higher chroma) by the kiln drying.\",\"PeriodicalId\":17248,\"journal\":{\"name\":\"Journal of the Japan Wood Research Society\",\"volume\":null,\"pages\":null},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2013-11-25\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"1\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Journal of the Japan Wood Research Society\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.2488/JWRS.59.339\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Journal of the Japan Wood Research Society","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.2488/JWRS.59.339","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
引用次数: 1
摘要
木材的暖色是建筑材料、家具等的一个非常重要的设计因素。因此,木材和木制品表面的颜色测量通常使用色度计进行。然而,这些颜色数据大多是在一个有限的测量区域内的平均值,这些值完全是基于L, a, b和ΔE值进行比较和评估的。利用成像光谱仪对五种不同干燥条件下杉木(Cryptomeria japonica)的表面颜色进行了测定,并根据3种颜色属性(亮度L、色度C和色相角H°)对每种干燥条件下4个部分(心材-晚木、心材-早木、边材-晚木和边材-早木)的表面颜色进行了测定。颜色分析显示,无论干燥条件如何,H°和L之间都存在非常明确的线性关系。虽然在风干条件下4个部分的表面颜色有明显的区别,但随着干燥条件的加重,色相角度的范围变窄,心材-早木和边材-晚木两部分的颜色难以区分。原本明亮的表面,如sapwood-earlywood部分选择性地变暗(低亮度)和加深(高色度)通过窑干燥。
Minute Color Measurement of Sugi Timber (Cryptomeria japonica) Dried by Five Conditions II.
Warm color of wood is a very important design factor for building materials, furniture, and so on. Therefore, color measurements for the surfaces of timber and wood products are often performed using a colorimeter. However, most of such color data are mean values inside a confined measurement area, and these values are entirely compared and evaluated based on L, a, b and ΔE values. In the present study, surface colors of sugi timbers (Cryptomeria japonica) dried by five different conditions were measured using an imaging spectrometer, and surface colors of 4 parts (heartwood-latewood, heartwood-earlywood, sapwood-latewood, and sapwood-earlywood) were examined for each drying condition based on the three color attributes (lightness L, chroma C, and hue angle H °). The color analysis revealed very clear linear relations between H ° and L regardless of drying conditions. Although the surface colors of the 4 parts were clearly distinguished from each other in the air-drying condition, the range of hue angle became narrow as the drying conditions became more severe and it was difficult to distinguish the two parts of heartwood-earlywood and sapwood-latewood by their colors. Originally bright surfaces such as the sapwood-earlywood part selectively darkened (lower lightness) and deepened (higher chroma) by the kiln drying.