晚期托马斯·海伍德与“隐含”:作者代理与上帝审判剧场的第二部分

C. Cathcart
{"title":"晚期托马斯·海伍德与“隐含”:作者代理与上帝审判剧场的第二部分","authors":"C. Cathcart","doi":"10.1086/725434","DOIUrl":null,"url":null,"abstract":"This essay argues that The Second Part of the Theatre of God’s Judgements, a long historical disquisition on the seven deadly sins and published in 1642 as the work of Thomas Taylor, was composed by Thomas Heywood, the dramatist and prose miscellanist. The evidence for the attribution lies in The Second Part’s use of distinctive items of latinate vocabulary, its deployment of passages used elsewhere by Heywood, its familiar and authorial allusion to Heywood’s native Lincolnshire, its alertness to the drama of forty to fifty years previously, and its pattern of verbal preferences. The argument is placed within the context of Heywood’s prolific final decade, and the article assesses the implications for our understanding of this late period of Heywood’s writing life and examines the prospect for further work on Heywood’s canon of writings.","PeriodicalId":22928,"journal":{"name":"The Papers of the Bibliographical Society of America","volume":"55 1","pages":"173 - 213"},"PeriodicalIF":0.0000,"publicationDate":"2023-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Late Thomas Heywood and “insidiate”: Authorial Agency and The Second Part of the Theatre of God’s Judgements\",\"authors\":\"C. Cathcart\",\"doi\":\"10.1086/725434\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"This essay argues that The Second Part of the Theatre of God’s Judgements, a long historical disquisition on the seven deadly sins and published in 1642 as the work of Thomas Taylor, was composed by Thomas Heywood, the dramatist and prose miscellanist. The evidence for the attribution lies in The Second Part’s use of distinctive items of latinate vocabulary, its deployment of passages used elsewhere by Heywood, its familiar and authorial allusion to Heywood’s native Lincolnshire, its alertness to the drama of forty to fifty years previously, and its pattern of verbal preferences. The argument is placed within the context of Heywood’s prolific final decade, and the article assesses the implications for our understanding of this late period of Heywood’s writing life and examines the prospect for further work on Heywood’s canon of writings.\",\"PeriodicalId\":22928,\"journal\":{\"name\":\"The Papers of the Bibliographical Society of America\",\"volume\":\"55 1\",\"pages\":\"173 - 213\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2023-06-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"The Papers of the Bibliographical Society of America\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1086/725434\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"The Papers of the Bibliographical Society of America","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1086/725434","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
引用次数: 0

摘要

本文认为,1642年出版的托马斯·泰勒的《上帝的审判剧场第二部》是一部关于七宗罪的长篇历史论文,作者是剧作家兼散文杂记家托马斯·海伍德。归因的证据在于第二部分对独特的拉丁语词汇的使用,对海伍德在其他地方使用过的段落的运用,对海伍德家乡林肯郡的熟悉的、作者式的典故,对四五十年前的戏剧的警惕性,以及语言偏好的模式。这一论点是在海伍德多产的最后十年的背景下进行的,文章评估了我们对海伍德晚期写作生活的理解的含义,并探讨了进一步研究海伍德经典作品的前景。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
查看原文
分享 分享
微信好友 朋友圈 QQ好友 复制链接
本刊更多论文
Late Thomas Heywood and “insidiate”: Authorial Agency and The Second Part of the Theatre of God’s Judgements
This essay argues that The Second Part of the Theatre of God’s Judgements, a long historical disquisition on the seven deadly sins and published in 1642 as the work of Thomas Taylor, was composed by Thomas Heywood, the dramatist and prose miscellanist. The evidence for the attribution lies in The Second Part’s use of distinctive items of latinate vocabulary, its deployment of passages used elsewhere by Heywood, its familiar and authorial allusion to Heywood’s native Lincolnshire, its alertness to the drama of forty to fifty years previously, and its pattern of verbal preferences. The argument is placed within the context of Heywood’s prolific final decade, and the article assesses the implications for our understanding of this late period of Heywood’s writing life and examines the prospect for further work on Heywood’s canon of writings.
求助全文
通过发布文献求助,成功后即可免费获取论文全文。 去求助
来源期刊
自引率
0.00%
发文量
0
期刊最新文献
:Reading Mathematics in Early Modern Europe: Studies in the Production, Collection, and Use of Mathematical Books :Assembled for Use: Indigenous Compilation and the Archives of Early Native American Literatures Queer Bibliography: A Rationale The Homosaurus, Queer Vocabularies, and Impossible Metadata :Libros e imprenta en México en el siglo XVI
×
引用
GB/T 7714-2015
复制
MLA
复制
APA
复制
导出至
BibTeX EndNote RefMan NoteFirst NoteExpress
×
×
提示
您的信息不完整,为了账户安全,请先补充。
现在去补充
×
提示
您因"违规操作"
具体请查看互助需知
我知道了
×
提示
现在去查看 取消
×
提示
确定
0
微信
客服QQ
Book学术公众号 扫码关注我们
反馈
×
意见反馈
请填写您的意见或建议
请填写您的手机或邮箱
已复制链接
已复制链接
快去分享给好友吧!
我知道了
×
扫码分享
扫码分享
Book学术官方微信
Book学术文献互助
Book学术文献互助群
群 号:481959085
Book学术
文献互助 智能选刊 最新文献 互助须知 联系我们:info@booksci.cn
Book学术提供免费学术资源搜索服务,方便国内外学者检索中英文文献。致力于提供最便捷和优质的服务体验。
Copyright © 2023 Book学术 All rights reserved.
ghs 京公网安备 11010802042870号 京ICP备2023020795号-1