艺术的起源:通过考古证据的近似

Araceli Giménez Lorente
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摘要

提出一种诗学观念,“美”的本源就是我们的本源。艺术具有两面性,作为“物品”和“作品”,它和我们人类一样古老。我们甚至可以说,这是原始人的遗产,因为每一个在这个星球上诞生的原始人都有三百万年的历史,直到我们今天。这意味着上面讨论的人类物种,如非洲南方古猿、直立人、海德堡人、祖先人、尼安德特人和克罗马努人。为了从一个新的角度来分析艺术的演变,用考古证据,主要使用的方法是观察和分析考古证据,实验证明结果。最重要的结果是创造梯形图,除了美学理论之外,还可以指导考古证据的分类。火考古实验对旧石器文明的价值。在这项研究中提出的所有考古证据将得出这样的结论:作为一个物种的第一需要是美学,通过进化是艺术,这种联系是我们人类物种固有的。对该领域的主要贡献是将人类的进化与艺术的起源和发展联系起来的新视角。本研究的新颖之处在于多学科方法,包括美学、文化人类学、考古学和美术领域。这些学科的融合得出结论,艺术是人类固有的。
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The Origin of Art: An Approximation through Archaeological Evidences
A poetic idea is proposed, the origin of “aesthesis” is our origin. Art in its double side, as an ‘object’ and as a ‘work’, is as old as our human species. We could even say that it is the heritage of hominids, for each hominid species which were born in this planet with an antiquity known to be three million years old till our days. This implies hominid species discussed above, like Australopithecus africanus, Homo erectus, Homo heidelbergensis, Homo antecessor, Homo Neanderthal, and Cro-Magnon. In order to analyze the evolution of art from a new perspective, with archaeological evidence, the main methodology used is the observation and analysis of archaeological evidence, experimentation demonstrates the results. The most important result is the creation cladogram, in addition to an aesthetic theory, is a guide to classify archaeological evidence. Experimentation on archeology of fire values the Paleolithic civilization. All the archaeological evidence presented in this study will conclude that the first need as a species is aesthetics, and by evolution the art, and that the link is intrinsic to our human species. The main contribution to the field is a new perspective that links the evolution of our species with the origin and development of art. The novelty of this study is the multidisciplinary approach that includes the fields of aesthetics, cultural anthropology, archeology and the fine arts. The convergence of these disciplines concludes that art is intrinsic to the human species.
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