{"title":"布莱克展览公司，2021年","authors":"Luisa Calé","doi":"10.47761/biq.319","DOIUrl":null,"url":null,"abstract":"Displays of Blake in 2021 were still affected by the COVID-19 pandemic, with many institutions closed, staff working from home, and moratoria on loans. Some institutions had their own Blakes on view, such as God Judging Adam at the Metropolitan Museum from October 2020 to mid-January 2021 and a plate from America a Prophecy at the Morgan Library and Museum in New York. William Blake: Visionary, building on the Tate retrospective of 2019–20 and planned by the Getty Museum in Los Angeles for 2020, is now scheduled for late 2023.","PeriodicalId":39620,"journal":{"name":"Blake - An Illustrated Quarterly","volume":"42 1","pages":""},"PeriodicalIF":0.0000,"publicationDate":"2021-07-21","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Blake and Exhibitions, 2021\",\"authors\":\"Luisa Calé\",\"doi\":\"10.47761/biq.319\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"Displays of Blake in 2021 were still affected by the COVID-19 pandemic, with many institutions closed, staff working from home, and moratoria on loans. Some institutions had their own Blakes on view, such as God Judging Adam at the Metropolitan Museum from October 2020 to mid-January 2021 and a plate from America a Prophecy at the Morgan Library and Museum in New York. William Blake: Visionary, building on the Tate retrospective of 2019–20 and planned by the Getty Museum in Los Angeles for 2020, is now scheduled for late 2023.\",\"PeriodicalId\":39620,\"journal\":{\"name\":\"Blake - An Illustrated Quarterly\",\"volume\":\"42 1\",\"pages\":\"\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2021-07-21\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Blake - An Illustrated Quarterly\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.47761/biq.319\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"Q3\",\"JCRName\":\"Arts and Humanities\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Blake - An Illustrated Quarterly","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.47761/biq.319","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"Q3","JCRName":"Arts and Humanities","Score":null,"Total":0}
Displays of Blake in 2021 were still affected by the COVID-19 pandemic, with many institutions closed, staff working from home, and moratoria on loans. Some institutions had their own Blakes on view, such as God Judging Adam at the Metropolitan Museum from October 2020 to mid-January 2021 and a plate from America a Prophecy at the Morgan Library and Museum in New York. William Blake: Visionary, building on the Tate retrospective of 2019–20 and planned by the Getty Museum in Los Angeles for 2020, is now scheduled for late 2023.
期刊介绍：
Blake/An Illustrated Quarterly was born as the Blake Newsletter on a mimeograph machine at the University of California, Berkeley in 1967. Edited by Morton D. Paley, the first issue ran to nine pages, was available for a yearly subscription rate of two dollars for four issues, and included the fateful words, "As far as editorial policy is concerned, I think the Newsletter should be just that—not an incipient journal." The production office of the Newsletter relocated to the University of New Mexico when Morris Eaves became co-editor in 1970, and then moved with him in 1986 to its present home at the University of Rochester.
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