从扫兴的女权主义者到快乐的女权主义者

Q1 Social Sciences Cultural Politics Pub Date : 2022-03-01 DOI:10.1215/17432197-9516897
Srila Roy
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引用次数: 1

摘要

年轻的印度城市女性已经将女性寻求快乐和娱乐的权利,尤其是在公共场合,作为女权主义抵抗的核心,也是将自己与过去“不快乐”的女权主义区分开来的一种方式。对快乐、乐趣和快乐的关注似乎与贫穷和边缘化农村妇女的日常生活相去甚远。在这篇文章中,作者强调了农村妇女在消费、娱乐和友谊方面的享乐行为,这是她们参与当地一个旨在赋予贫困妇女权力的非政府组织所带来的意想不到的结果。这些人主要是低种姓、低阶级的妇女,她们通过低收入和不稳定的发展工作,部分地融入了全球化印度的理想未来。他们参与这样的工作——一个充满了自身管理潜力的学科领域——使他们能够在完全不同的非工作或娱乐领域发展新的技能、技术和能力。乐趣、愉悦和自我创造依赖于进取、赋权和渴望的文化,这一事实也让我们看到了新自由主义印度面临的一些矛盾。
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From Feminist Killjoy to Joyful Feminisms
Young urban Indian women have made women's rights to seek pleasure and have fun, especially in public, central to a new repertoire of feminist resistance and also as a way of demarcating themselves from “joyless” feminisms of the past. Concerns around pleasure, fun, and joy appear far removed from the everyday lives of poor and marginalized rural women. In this contribution, the author foregrounds rural women's pleasure-seeking practices, in consumption, fun, and friendship, which were the unanticipated outcomes of their involvement with a local NGO seeking to empower poor women. These were primarily lower-caste, lower-class women who were partially included in the aspirational futures of a globalized India, through poorly paid and precarious development work. Their participation in such work—a disciplinary domain imbued with its own regulatory potentials—enabled the development of new skills, techniques, and capacities in an entirely other domain, of nonwork or fun. The fact that fun, pleasure, and self-making relied on cultures of enterprise, empowerment, and aspiration also brings into view some of the contradictions at stake in neoliberal India.
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来源期刊
Cultural Politics
Cultural Politics Social Sciences-Cultural Studies
CiteScore
1.20
自引率
0.00%
发文量
19
期刊介绍: Cultural Politics is an international, refereed journal that explores the global character and effects of contemporary culture and politics. Cultural Politics explores precisely what is cultural about politics and what is political about culture. Publishing across the arts, humanities, and social sciences, the journal welcomes articles from different political positions, cultural approaches, and geographical locations. Cultural Politics publishes work that analyzes how cultural identities, agencies and actors, political issues and conflicts, and global media are linked, characterized, examined, and resolved. In so doing, the journal supports the innovative study of established, embryonic, marginalized, or unexplored regions of cultural politics. Cultural Politics, while embodying the interdisciplinary coverage and discursive critical spirit of contemporary cultural studies, emphasizes how cultural theories and practices intersect with and elucidate analyses of political power. The journal invites articles on representation and visual culture; modernism and postmodernism; media, film, and communications; popular and elite art forms; the politics of production and consumption; language; ethics and religion; desire and psychoanalysis; art and aesthetics; the culture industry; technologies; academics and the academy; cities, architecture, and the spatial; global capitalism; Marxism; value and ideology; the military, weaponry, and war; power, authority, and institutions; global governance and democracy; political parties and social movements; human rights; community and cosmopolitanism; transnational activism and change; the global public sphere; the body; identity and performance; heterosexual, transsexual, lesbian, and gay sexualities; race, blackness, whiteness, and ethnicity; the social inequalities of the global and the local; patriarchy, feminism, and gender studies; postcolonialism; and political activism.
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