The Island of Aegina: An Example of Modus Vivendi in the Medieval Mediterranean

Abstract The medieval Mediterranean has predominantly been considered to be a place of continuous conflict in matters of political and territorial ambitions, and, of course, religious dominance. The constant incursions on the islands of the Mediterranean have been considered by historians, legitimately in many instances, to be destructive of local communities, and to have caused turbulence in the economy, society, and culture. However, there is documentation which proves that such invasions were frequently followed by improvement in administration, and subsequently by production of art and a new type of culture that was an amalgam of Western and Eastern elements. This article aims to illustrate certain positive side effects of this interaction in the Mediterranean through a specific example: the medieval city of Aegina in the Aegean Sea. During its history, the island passed through the hands of the Franks, the Venetians, the Catalans, and eventually the Ottomans. The architectural forms and artistic patterns that will be discussed support the argument that the medieval Mediterranean became a place for the exchange of ideas, and a canvas for multicultural activities.