进入无法想象的黑暗漩涡。尼亚拉托提普或洛夫克拉夫特能指的轨迹

IF 0.2 0 HUMANITIES, MULTIDISCIPLINARY Brumal-Research Journal on the Fantastic Pub Date : 2023-01-16 DOI:10.5565/rev/brumal.912
Mariangela Ugarelli Risi
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引用次数: 0

摘要

奇幻小说、推测小说和幻想小说与精神分析有着适当的神秘关系。洛夫克拉夫特和他的语义触角立刻浮现在我的脑海中。难以描述的,无法形容的,难以想象的,洛夫克拉夫特式的怪物,在表面上,作为拉康式真实的完美占位符出现。遵循这个模式(浅/深),以拉康关于“被偷走的信”的研讨会为例,“克苏鲁的呼唤”经常被用作真实的寓言。这篇文章认为克苏鲁不能代表真实,至少,再也不能了。在当代流行文化中,它作为一种能指已经耗尽了。取而代之的是,尼亚拉托提普,爬行的混沌,就像真实的混沌一样,由于它的本质而无法被压制。爬行的混沌或千面之神以与能指相同的方式移动:在一边,它的形状是永久改变的(y轴),但同时,它沿着x轴爬行。
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Into the sightless vortex of the unimaginable. Nyarlathotep or the trajectory of the Lovecraftian signifier
Fantastic, speculative, and fantasy fiction share an appropriately uncanny relationship with psychoanalysis. Lovecraft and his semantic tentacles immediately come to mind. Indescribable, ineffable, unimaginable, Lovecraftian monsters appear, on the surface, as a perfect placeholder for the Lacanian Real. Following this model (shallow/depth), exemplified by Lacan’s seminar on «The Purloined Letter», «The Call of Cthulhu» has been often used as a parable for the Real. This text argues that Cthulhu cannot represent the real, at least, not anymore. It has become exhausted as a signifier, overrepresented in contemporary pop culture. In its stead, Nyarlathotep, the Crawling Chaos, like the Real, cannot be pinned down due to its very nature. The Crawling Chaos or the God of a Thousand Faces travels in the same way as the signifier does: on one side its shape is permanently changing (Y-axis) but, at the same time, it crawls along the x-axis.
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来源期刊
Brumal-Research Journal on the Fantastic
Brumal-Research Journal on the Fantastic HUMANITIES, MULTIDISCIPLINARY-
CiteScore
0.60
自引率
0.00%
发文量
24
审稿时长
12 weeks
期刊介绍: Brumal. Research Journal on the Fantastic is presented as an interdisciplinary and multilingual publication aimed at researchers and specialists. The fantastic is understood here as an always problematic confrontation between the real and the impossible in a textual world imitating ours. Therefore, other non-mimetic genres like science fiction or fantasy, which do not adhere to this definition, are excluded in Brumal. Linked to the Grupo de Estudios sobre lo Fantástico (GEF, Research Group on the Fantastic) from the Universidad Autónoma de Barcelona (www.lofantastico.com), Brumal welcomes works on the fantastic dealing with its different artistic manifestations (narrative, theatre, cinema, comic, painting, photography and video-games), in any language and from any country during the 19th, 20th and 21st centuries. Texts can be sent in Spanish, Catalan, Galician, English, French, Portuguese or Italian. Brumal is structured in three differentiated sections (Monograph, Miscellaneous and Reviews) and will be published every six months (december and june).
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